412 posts categorized "Elder Music"

ELDER MUSIC: Seasons – Summer Part 1

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

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Summer in Australia

There are so many good summer songs that you're going to get two column's worth. I complained about Spring last week and I'll keep that going with Summer. The hay fever's gone but it gets too bloody hot in my neck of the woods. Maybe it's better where you are.

As I mentioned, summer can get a little, well hot is the really the only word for it, around here. That always gives me the blues, the Summertime Blues.

That sounds like a cue for a song, and EDDIE COCHRAN is the obvious person to start proceedings.

Eddie Cochran

Eddie could have been a contender in rock & roll (indeed, he already was) but he was killed when his taxi in London blew a tyre and the cab crashed into a lamppost.

♫ Eddie Cochran - Summertime Blues

JERRY KELLER only had one big hit in his career and it's this one.

Jerry Keller

Later on he wrote songs that were quite successful for others as well as writing songs for films and television jingles. I imagine they paid better than being a music performer.

Here is his charted song, Here Comes Summer.

♫ Jerry Keller - Here Comes Summer

I imagine you all expected this next song to be present so I won't disappoint you. There was a previous column devoted entirely to various versions of the song Summertime, so I'm not using anything from that one.

That didn't really reduce the choices much at all as I have quite a number of options from which to choose. So many, that I selected enough for a second column devoted to the song.

In the mean time we need one today. I pencilled in several over a few days but finally decided on PAUL ROBESON.

Paul Robeson

I was surprised I hadn't used him in the original Summertime column, but there you go. Here he is today with the song.

♫ Paul Robeson - Summertime

MUNGO JERRY is an English rock(ish) group who were formed in the late sixties and are still going today. However, the only member who has been there for the entire journey is Ray Dorset.

Mungo Jerry

They had a big hit in 1970 with the song In the Summertime. There were other songs of theirs that made the charts but I imagine few people will remember what they are. I certainly can't.

Anyway, here is their biggest hit.

♫ Mungo Jerry - In The Summertime

The album "Quiet Nights" was far from MILES DAVIS's finest.

Miles Davis

He had so many good albums that this one pretty much slipped down the back of the sofa along with all the change, paper clips and other things that gather there.

It did, however, have a couple of summer tunes on it, one of which we have today, Once Upon a Summertime. It's very atmospheric and even lesser Miles is well worth a listen.

♫ Miles Davis - Once Upon a Summertime

NAT KING COLE had a huge with with Lazy Hazy Crazy Days of Summer.

Nat King Cole

His record company insisted that he rush into the studio and produce an album because of the success of the single. It was a long way from Nat's best album. Indeed, the single was far from his best either but it is Nat which means it's going to get a place in the column.

♫ Nat King Cole - Lazy Hazy Crazy Days of Summer

Normally I'll try to use the original version of the song, particularly if that person also wrote it. Today, though, after playing both versions, I really like the way JOAN BAEZ performs this one.

Joan Baez

I don't wish to denigrate Stevie Wonder but Joannie really nailed it, I think. It was from her excellent, and best selling, album "Diamonds and Rust". The song is Never Dreamed You'd Leave in Summer.

♫ Joan Baez - Never Dreamed You'd Leave in Summer

CLIFF RICHARD started out as a rock & roller but turned into, well Cliff.

Cliff Richard

I suspect that he has a painting of himself in a locked room in his attic that he never shows to anyone. Anyway, from his early days, Cliff's going on a Summer Holiday.

♫ Cliff Richard - Summer Holiday

For people of a certain age, that is somewhere around mine, you only have to hear the first couple of bars of this next one to recognise it immediately. The players are the LOVIN' SPOONFUL.

Lovin' Spoonful

The song is Summer in the City. No more needs to be said.

♫ Lovin' Spoonful - Summer In The City

It was pretty much certain that WILLIE NELSON would turn up somewhere in this series, and here he is.

Willie Nelson

Willie's song was one I wasn't familiar with before searching my music collection for these columns (hey, I've got a lot of Willie). I'm now very familiar with the song, Summer of Roses. I could have used this one in any of the seasons.

♫ Willie Nelson - Summer of Roses

Summer - Part 2 is here.

ELDER MUSIC: Seasons - Spring

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

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That's one of my pics, taken in Daylesford (Victoria, Australia).

This is the first of a series about the seasons. There will be five of them, not five seasons so don't try to call Vivaldi, although some say that Melbourne has at least that many, often in the one day.

No, it just means that summer had so many good songs that it deserved two columns.

Okay, let's start. I really, really, really hate spring. I cannot abide it. From September to November (for that is when spring is in my part of the world) my eyes water and itch, my nose runs, I'm sneezing all over the place, my face is puffy.

It's wall to wall hay fever for the entire time. Spring! Bah, you can have it.

There have been several years when I avoided it by visiting San Francisco and Portland for the duration. That works a treat but it is an expensive option that I can't afford too often. Well, that's my rant out of the way, let's have some Spring music.

I had a number of choices for the first song – musical heavyweights Ella Fitzgerald and Sarah Vaughan, Red Garland and Roland Kirk, not to mention Deanna Durbin, Joni James and Anita O'Day. So if you're a fan of any of those (and you probably are), I'm sorry. I've gone with my favorite, JULIE LONDON.

Julie London

Julie sings Spring Will Be A Little Late This Year.

♫ Julie London - Spring Will Be A Little Late This Year

The DAVE BRUBECK QUARTET turns up for the first, but far from the last, time in this series.

Dave Brubeck

Taken from their album Jazz Impressions of New York we have Spring in Central Park.

♫ Dave Brubeck - Spring In Central Park

We may have missed SARAH VAUGHAN in the first song, but we have her now.

Sarah Vaughan

Her song is really very well known, It Might as Well Be Spring, a Rodgers and Hammerstein song from "State Fair.” She wasn't the only person to record the song (that's thrown in for a bit of understatement).

♫ Sarah Vaughan - It Might as Well Be Spring

As you'd expect, the BEACH BOYS have a bunch of summer songs, but they have something for spring as well.

The Beach Boys

The members of the group had long since left school but they still remembered their Spring Vacation.

♫ Beach Boys - Spring Vacation

I'm going to slip a little bit of country amongst the jazz and standards today. The first of these is IAN TYSON.

Ian Tyson

Ian writes excellent songs and is a terrific singer. He started professionally in his native Canada and moved to New York as part of the folk boom with his then wife and they performed as Ian and Sylvia.

Besides that, Ronni informs me that he was far and away the most handsome of the folkies. Well, let's see if he can live up to all that with Springtime in Alberta.

♫ Ian Tyson - Springtime In Alberta

WILLIAM TABBERT played Lieutenant Joseph Cable in the original Broadway production of the musical "South Pacific."

William Tabbert

He didn't get to play the part in the film; that went to John Kerr, but I have the Broadway cast album so we have Will singing Younger Than Springtime.

♫ William Tabbert - Younger Than Springtime

MICHAEL MARTIN MURPHEY takes a familiar song and changes it radically.

Michael Martin Murphey

That song is Springtime in the Rockies. I was a bit unsure about using it at first but playing it several times changed my mind. I like what he's done to the song. Here it is with a little help from Carin Mari.

♫ Michael Martin Murphey - Springtime In the Rockies

FRANK SINATRA's spring song is from his excellent album from the fifties called "Only the Lonely.” This was one of the first albums as we know them today - that is, not just a few hits and a bunch of fillers.

Frank Sinatra

In spite of its rather cheerful sounding title, Spring Is Here, the song is more in line with the rest of the album as suggested by its title.

♫ Frank Sinatra - Spring Is Here

When it's Springtime in Alaska it's probably not very warm at all. As JOHNNY HORTON tells us in the song, it's 40 below at that time (that's the one temperature when Celsius and Fahrenheit are the same).

That doesn't sound very spring-like to me.

Johnny Horton

Johnny had a couple of Alaskan songs around this time. Perhaps he didn't like the California climate (although I can't imagine why he wouldn't). Probably it was his songwriters' idea.

♫ Johnny Horton - When It's Springtime In Alaska

MARK MURPHY was one of the most interesting of the jazz singers.

Mark Murphy

He learned from Lambert, Hendricks and Ross and ran with what they did. He thinks that Spring Can Really Hang You Up the Most. Given what I said about hay fever, I totally agree with him.

♫ Mark Murphy - Spring Can Really Hang You Up the Most

ELDER MUSIC: Hooked on Classics

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

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This column has absolutely nothing to do with the dreadful series of records that came out some time ago with that name. I played these for Norma, the Assistant Musicologist, and asked her what I should call the column and that was her reply.

There's no linking theme today; these are just some pieces I've saved over time that I thought might interest you, or appeal to you. I liked them, that's why I saved them.

I was lying in bed listening to the radio this morning (when I wrote this) wondering when would be a good time to get up (not for a while, I decided) when they played this next piece of music.

"Gee, that's nice," I thought. My facility with words is not at its peak at that time of day. The announcer said that it was GIOACHINO ROSSINI.


I was somewhat taken aback as I haven't been a fan of that composer. I might have to start listening to some of his other works (that don't involve themes for imaginary western characters).

They played the entire piece but I'm only going to give you the first movement, the one that really took my fancy. Wind Quartet No 1 in F major.

♫ Rossini - Wind Quartet No 1 in F major (1)

Henrik Ibsen wrote his famous work Peer Gynt initially as a verse drama, but then he decided to turn it into a play. He contacted his old mate EDVARD GRIEG and asked him if he'd like to write some music for it.


Eddie was enthusiastic about the idea but after a while, as time went on and the work dragged on as well, it became a real chore for him. He finished it but kept rewriting it over the years.

The finished work is not only for orchestra but for a chorus and solo singers as well. Because it's so long and requires a whole bunch of people, it's seldom performed in its entirety.

Eddie himself pulled out what he thought were the best tunes and turned them into short orchestral suites (Peer Gynt No 1 and 2). These became hugely popular and are still so today.

However, I thought I'd go back to the original and play a part of it with the full trappings. This is Arabisk Dans (Arabian Dance) from Peer Gynt, Op. 23, with Barbara Bonney and Marianne Eklöf singing.

♫ Grieg - Peer Gynt Arabisk Dans

JIŘÍ DRUŽECKÝ, also known as Georg Druschetzky (and various other spellings of his name) was a Czech composer, drummer and oboe player.


He studied the oboe in Dresden and then joined the army where he became a handy drummer. Later he moved to Vienna which was where he started composing proper music (he created some drum stuff when he was in the army).

His work mainly centred around the oboe and other blowing instruments although there were some operas and ballets. This is the first movement of his Quintet in C Major for Oboe, 2 Violins, Viola and Cello.

♫ Druschetzky - Quintet in C Major for Oboe, 2 Violins, Viola and Cello (1)

ALESSANDRO ROLLA was an Italian virtuoso on both the viola and violin.


He also wrote music, mainly for those instruments, and he was a teacher as well. Perhaps his greatest claim to fame is that he taught Paganini how to play. He obviously taught him well.

He was chief conductor at La Scala for some time and besides conducting operas, he played the works of Haydn and Mozart as well as introducing new compositions from Beethoven. All the while writing his own music.

This is a bit of that, the third movement of Duo for Violin and Cello in B flat major.

♫ Rolla - Duo in B flat major (3)

Speaking of BEETHOVEN, here he is with something unusual. Actually, there are a number of unusual things in his canon that seldom get played.


In 1806, Ludwig was somewhat lacking in the loose scratch department so he trawled through his old works to see what he could put out there to earn him a bit of loot.

One of the things he found was his Trio for 2 Oboes and Cor Anglais in C Major. This was something he wrote many years earlier when he was still under the influence of Haydn and Mozart.

Of course, if you're going to be influenced by anyone those two are at the very top of the tree; Ludwig wouldn't admit that influence, of course.

Naturally, he was dissatisfied with his youthful work so he tinkered with it before it was published. Here's the finished product, the second movement.

♫ Beethoven - Trio for 2 oboes & cor anglais in C Major, Op. 87 (2)

People often take the music of JOHANN SEBASTIAN BACH and put their own stamp on it, or try to anyway.

JS Bach

This was initially a sonata for harpsichord and violin but we have the piano instead (the piano wasn't around back when old J.S. was performing). I'm including it because of a new album with MICHELLE MAKARSKI and KEITH JARRETT that I really like.

Michelle Makarski & Keith Jarrett

Keith is a jazz pianist but he was classically trained and has released several classical albums in the past. It's interesting to get a jazz player's interpretation as J.S. was essentially a jazz musician himself. He was renowned as one of the finest improvisers of his time, particularly on the organ but other instruments as well.

Michelle plays the violin and as far as I know doesn't play jazz. They perform the second movement of the Sonata for Violin and Piano No 1 in B minor, BWV 1014.

♫ JS Bach - Sonata No. 1 in B minor, BWV 1014 (2)

Continuing with the baroque, GEORG TELEMANN was a composer almost the equal of the great J.S.


Actually, they not only knew each other, they were good friends. Georg was the godfather of one of J.S.'s sons (C.P.E. Bach, probably the best known of the sons). He was also a friend of Mr Handel who will appear a little further down.

Georg was one of the most prolific composers in history with more than 3,000 known works (and his awful wife destroyed many others besides taking lovers and spending all of Georg's money).

Out of his many compositions, I've gone with the third movement of the Sonata in D for Trumpet, strings and continuo. This is essentially a trumpet concerto as far as I'm concerned.

♫ Telemann - Sonata in D (3)

I rather agree with MOZART when he once said, "I become quite powerless whenever I'm obliged to write for an instrument which I cannot bear.”


Okay, I don't compose music; it was about the particular instrument he had in mind. He was talking about the flute. However, he couldn't help himself and wrote an exquisite piece.

Similarly, I think, "Well, that's not too bad at all". Okay, it is Mozart. Make up your own mind while listening to the Andante for Flute and Orchestra C major K315.

♫ Mozart - Andante for flute & orchestra C major K315

SLAVA and LEONARD GRIGORYAN are the best guitarists to come out of Australia since John Williams.

Slava & Leonard Grigoryan

From their album of various baroque guitar works I've chosen something from GEORGE HANDEL.


That something is the first movement of his Concerto in B-flat for two guitars.

♫ Handel - Concerto in B-flat for two guitars (1)

IGNAZ PLEYEL was the most successful and popular composer of his time, and considering that his time overlapped with Haydn, Mozart and Beethoven that's a big call.


He was also a music publisher and because of that, he was easily the richest composer of the era. Besides that, he made and sold pianos. This man was a serious workaholic.

Unfortunately, since then he has rather dropped below the radar, undeservedly so, I think. His compositions didn't match those of the previously mentioned composers but they are pretty good and really should be played more often.

Here is one of them, the first movement of the Octet in E flat-Major.

♫ Pleyel - Octet E flat-Major (1)

ELDER MUSIC: Wedding Bells

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

* * *

The selected songs might suggest a rather jaundiced view on my part but no, I had a really good wedding way back in 1971. It's just the marriage that didn't work out so well.

Peter's Wedding

Norma, the Assistant Musicologist is no help in this regard today – she's never been married or ever wanted to. Incidentally, for lovers of gossip, she was a guest at my wedding.

I'll start on a positive note with a song I know very well. This was the B-side of Yes Tonight Josephine by JOHNNIE RAY.

Johnnie Ray

My sister had this one when we were quite a bit younger than we are now. Because we had so few records when we were that age we got to know them all really well. This one is No Wedding Today.

♫ Johnnie Ray - No Wedding Today

Another one we had and it was another flip side, possibly of A White Sport Coat, but I could be wrong. I'm not wrong in saying it's MARTY ROBBINS.

Marty Robbins

Marty sings Just Married, but it's not him that's tying the knot.

♫ Marty Robbins - Just Married

PATTI PAGE has to be present as she was the queen of these songs. I was going to include Go on with the Wedding but it was too much even for me. Far too much talkie stuff and the A.M. would have gagged at that one, not that that would have stopped me.

Patti Page

So, we have the better known song, I Went to Your Wedding.

♫ Patti Page - I Went To Your Wedding

JEAN KNIGHT had several options I could have used. I wonder about her personal life.

Jean Knight

One I considered was The Last One to His Wedding which is just as you'd expect, and like the others today. She also had several other songs where she was not going to get anywhere near the altar.

The one I chose is Don't Break My Heart. I think Jean's just a tad too optimistic for her own good – he's not coming back, Jean.

♫ Jean Knight - Don't Break My Heart

LLOYD PRICE turned up for his wedding but it seems that his intended decided she had something better to do that day.

Lloyd Price

It's a bit odd because if you listen to the words he apparently said "I do" anyway. What? "Do you take this empty space for your wife?" or something like that. Beats me.

To learn all about it, listen to Lloyd singing Where Were You on Our Wedding Day?

♫ Lloyd Price - Where Were You on Our Wedding Day

AL TERRY seems more pragmatic about the whole thing than Lloyd.

Al Terry

Actually, more so than just about everyone present today. Very sensible. Let's Postpone Our Wedding, he sings, after the ex-boyfriend returned and rang the bride-to-be, and she's getting a bit dithery about it all.

♫ Al Terry - Let's Postpone Our Wedding

It's a bit hard to tell if THE BIG BOPPER went through with his wedding or not.

Big Bopper

Okay, the last line gives the game away. Even if he did, I wouldn't give it much of a chance to succeed. Here is Big Bopper's Wedding.

♫ Big Bopper - Big Bopper's Wedding

Anyone who listens to this next song and doesn't burst out laughing must have a heart of stone. The singer is KITTY WELLS.

Kitty Wells

I Gave My Wedding Dress Away sings Kitty. Now it's interesting that when there's a male cad in these songs (there some females ones as well – cadettes perhaps), he always seems to be named Jim. Not just the ones today but many of the others I auditioned.

If you're thinking of marrying someone, I'd steer clear of anyone named Jim. Here's Kitty.

♫ Kitty Wells - I Gave My Wedding Dress Away

ETTA JAMES gets a little overwrought here because she wants to Stop the Wedding.

Etta James

I've always wondered if anyone has ever spoken up when asked if there was anyone present who... well, you know the drill. It's not happened at any wedding I've been to, not that there have been many of those.

Etta decided to do just that.

♫ Etta James - Stop The Wedding

The only way I can end this column is with this next song. The Drifters had the original and it's a really fine version. However, for once I'm going with a cover by NICOLETTE LARSON.

Nicolette Larson

I really like the way she did this song. She recorded a couple of really good albums in the seventies, and some others a little later.

Actually, looking back over the songs today, I don't think that a Mexican Divorce will be necessary, as none of them actually seemed to have become hitched. Oh well.

♫ Nicolette Larson - Mexican Divorce

ELDER MUSIC: Romeo and Juliet

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

* * *

Old Will Shakespeare created the most famous lovers in history. Of course, things didn't end too well for them.

It's instructive that Juliet was 13 years old, or "she hath not seen the change of fourteen years" to be exact. Romeo's age is not stated so there seem to be conflicting ideas about this; everywhere between 13 also and mid twenties. That latter age sounds a bit creepy to modern audiences.

The thing about this is that, in spite of her age, Juliet is easily the most mature character in the play. Not just more so than Romeo and his friends, but all the adults as well who carry on their silly vendetta.

So, songs about them separately and together.

This column came about when Norma, the Assistant Musicologist, and I watched a vid of a DIRE STRAITS concert.

Dire Straits

We saw the Straits way back, both as the original quartet and their later incarnation as a somewhat bombastic big band. We preferred the original, stick-in-the-muds that we are (well, I am. I wouldn't categorize the A.M. that way).

Naturally, they played one of their most popular and entertaining songs, Romeo and Juliet. "Ah," we said, and a column was born.

The song came from their third album, "Making Movies," when they were a trio as David Knopfler had left by then. This was just before their big band era.

♫ Dire Straits - Romeo and Juliet

STEVE FORBERT has made an honest living singing and writing songs for several decades now.

Steve Forbert

I always thought he could be a contender, achieve more than he has, however, he seems to be doing okay. Early on he had a hit with his song, Romeo's Tune. The distinctive piano playing on that track was by Bobby Ogdin, who used to play in Elvis's band.

There's a warning to this one but not your usual one. No, I find that this song is a real earworm. You'll be singing it for a week; well I will be. Actually, the previous song is a bit earwormy as well.

♫ Steve Forbert - Romeo's Tune

The story is a favorite of opera composers. For this first selection in that vein, I had considerable choice - Maria Callas, Joan Sutherland, Diana Damrau and more. After playing a bunch of them, including those mentioned, this version was next.

The A.M. came in and said, "That one.” I was leaning towards it too. When I checked out NICOLE CABELL's photo, it was a done deal (so sue me, I'm a bloke).

Nicole Cabell

Here we have the aria Je veux vivre from "Roméo et Juliette" by CHARLES-FRANÇOIS GOUNOD. Nicole sings (as Jules) that she would like to live inside her dream where it is eternally spring, rather than think about marriage.

♫ Nicole Cabell - Gounod ~ Romeo et Juliette ~ Je veux vivre

CAB CALLOWAY gained a whole new generation of fans when he had a prominent role in the Blues Brothers film.

Cab Calloway

Cab gives his song the standard Cab treatment. It's called Hi-De-Ho Romeo.

♫ Cab Calloway - Hi-De-Ho Romeo

I wasn't going to include the next track but the A.M. came in and said, "Play that again, it sounds like Bob Wills" - that's a good enough reason for her. The singer is GARTH BROOKS.

Garth Brooks

I hadn't really considered Garth and western swing to be synonymous, but I suppose he can do anything these days. Garth's song is Rodeo and Juliet.(Ho ho).

♫ Garth Brooks - Rodeo And Juliet

For a complete change of pace, I give you TOM WAITS.

Tom Waits

Tom gives his song a nice gentle romantic treatment. Okay, that's a bunch of lies, it's standard Tom and that's good enough for me. Romeo Is Bleeding.

♫ Tom Waits - Romeo Is Bleeding

THE REFLECTIONS had only one big hit and it's this one, (Just Like) Romeo and Juliet.

The Reflections

They had a few others that rattled around at the bottom of the charts. They kept on trucking though and are still performing today with a couple of their original members still present.

♫ The Reflections - (Just Like) Romeo & Juliet

For some reason the critics don't seem to like ELINA GARANČA very much. It's their loss, I think. The public loves her. I'm with the public.

Elina Garanca

She is a mezzo-soprano and I prefer the deeper tones of her singing to standard sopranos - Cecilia Bartoli sings in the same range. Here from the opera "I Capuleti ed i Montecchi" by VINCENZO BELLINI, is the aria, Se Romeo t'uccise un figlio, sung by the lovely Elina, without the usual (rather intrusive) chorus in the background.

♫ Elina Garanca - Se Romeo t'uccise un figlio

I really know nothing about PAUL PERRYMAN.


The lack of a booklet in the CD didn't help, and Dr Google let me down. I'll just play his song, Teenage Romeo.

♫ Paul Perryman - Teenage Romeo

LOU REED is an unlikely romantic.

Lou Reed

However, with Lou anything is possible including Romeo and Juliet. Actually, his song is called Romeo Had Juliette, which sounds more like the Lou we know and love.

♫ Lou Reed - Romeo Had Juliette

ELDER MUSIC: 1958 Yet Again

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

* * *

1958 was a really good year for music as you can tell by checking the previous two times I've featured the year. There are still enough good songs left over for another column. You never know, there might be a fourth.

It's Only Make Believe was written by CONWAY TWITTY and Jack Nance.

Conway Twitty

Conway recorded it and took it to the top of the charts around the world. Before all that, Harold Jenkins didn't think his name was show biz enough and got out a road map where he spied Conway, Arkansas and Twitty, Texas. He really should have looked a bit further for a surname but it seems to have served him well over the years.

♫ Conway Twitty - It's Only Make Believe

BUDDY HOLLY was at his peak this year.

Buddy Holly

If you've been reading my column for some time you knew that Buddy would have to be present today. Yet another of his fine songs for the year is Maybe Baby.

♫ Buddy Holly - Maybe Baby

THE FOUR PREPS were renowned for their comedy records where they impersonated singers of the day.

Four Preps

However, they acquitted themselves admirably on serious songs as well. This is one of their biggest and I still don't really understand what it's about. It doesn't matter, it's a good record. Big Man.

♫ The Four Preps - Big Man

Many people recorded this next song, usually under the name Volare. The big hit in Australia, although some of the others were also on the charts, was by DOMENICO MODUGNO and he called it Nel Blu Dipinto Di Blu, which he wrote with some help from Franco Migliacci.

This is, of course, the original version of the song.

Domenico Modugno

I think Dom's version was successful in Australia as we had (and still have) a really large Italian community, particularly here in Melbourne.

Besides being a singer, songwriter, actor and guitarist he was also a member of Italy's parliament where he championed human rights, particularly in Chile under the egregious Pinochet who banned him from that country.

♫ Domenico Modugno - Nel Blu Dipinto di Blu (Volare)

JANE MORGAN attended Juilliard intending to be an opera singer. To make ends meet, she performed in clubs and the like to earn a little loose scratch. Discovering that this actually paid better than opera, she decided on a pop career instead.

Jane Morgan

A French impresario caught her act and he took her to Paris where she became a big success. She was also popular in Britain. Upon returning to her home country she recorded a song by Gilbert Becaud called Le jour où la pluie viendra.

Actually, hers was an English language version of the song called The Day the Rains Came.

♫ Jane Morgan - The Day The Rains Came

Westerns were popular around this time, especially on TV, and of course they were still making Western Movies as THE OLYMPICS had a wont to tell us.


The band got together when they were still at school in Los Angeles. They recorded a song under a different name that didn't do much at all. This was their first as The Olympics. It was a big hit around the world.

♫ The Olympics - Western Movies

According to his song, JIMMIE RODGERS is a ring-a-ding daddy. Oh my. I think he listened to too much Frank Sinatra.

Jimmie Rodgers

Anyway, the song in question isOh-Oh, I'm Falling in Love Again. Uh oh, uh oh.

♫ Jimmie Rodgers - Oh Oh, I'm Falling In Love Again

RICKY NELSON was at the height of popularity in 1958.

Ricky Nelson

He had half a dozen or more songs that hovered around the top of the charts. One of them is Believe What You Say. This one has the unmistakable sound of The Jordanaires as backing vocalists and the great James Burton playing guitar.

♫ Ricky Nelson - Believe What You Say

THE ELEGANTS seem to symbolise the ethos of DooWop music.


They were from Staten Island and used to practise their harmonies under the boardwalk near their homes. They hit it big while still in their teens with their first record, Little Star but couldn't repeat that one's success.

♫ The Elegants - Little Star

There's a touch of irony in that the most successful record by CHUCK WILLIS is called What Am I Living For? This is because he died from peritonitis during an operation shortly after recording the song. He was only 30.


All that aside, in his short professional career he wrote and recorded a bunch of fine songs, many of which have been covered by other artists over the years. Here he is with that song.

Chuck Willis - What Am I Living For

ELDER MUSIC: Songs of the Gershwins

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

* * *

George & Ira Gerswhin

I feel as if I'm announcing a category on a quiz program, "Pointless" specifically, for those who know that one. So, these are songs that were written by both George and Ira Gershwin.

George also wrote longer works and Ira wrote many songs with others after George died, but this column isn't about those.

There were many versions of pretty much all the songs today. That's not really surprising as they wrote good ones. So, these are my choices. (I didn't tell Norma, the Assistant Musicologist I was doing this column so she didn't get a say in choosing what to include.)

BILLIE HOLIDAY is no stranger to my columns and here she is again.

Billie Holiday

Let’s Call the Whole Thing Off first saw the light of day in the film "Shall We Dance" which, it probably comes as no big surprise, featured Fred Astaire and Ginger Rogers.

They sang it in the film while scurrying around on roller skates. This is Billie with her take on the song. I don't think she was wearing skates when she recorded it.

♫ Billie Holiday - Let's Call the Whole Thing Off

JULIE LONDON is another regular.

Julie London

‘S Wonderful came from the Broadway musical "Funny Face" and was performed in that by Adele Astaire and Allen Kearns. Adele was Fred's older sister and they performed together for many years in vaudeville and theatre.

I'm not using either of them, it's Julie's turn to sing the song.

♫ Julie London - 'S Wonderful

CHET BAKER sang like an angel, was a great trumpet player and was one of the handsomest men in show biz.

Chet Baker

However, he seemed determined to destroy all those gifts with long-term hard drug use. He didn't quite succeed, apart from losing his looks, but imagine what he could have achieved had he not indulged.

Enough editorializing, let's hear him perform and sing But Not For Me.

♫ Chet Baker - But Not For Me

"Judy at Carnegie Hall" was a commercial and critical success and won awards all over the place. The double album sold squillions. The concert at which it was recorded marked the comeback of JUDY GARLAND to performing after a hiatus recovering from alcohol and drug abuse.

Judy Garland

The album is interesting and Judy sings well but it's a bit bombastic for my taste. Fortunately, the Gershwins' track is not like that. Their song is How Long Has This Been Going On? I faded the applause at the end as it went on for far too long.

♫ Judy Garland - How Long Has This Been Going On

Fans of Fred Astaire will be disturbed to hear that I originally had him penciled in at this spot and removed him in favor of FATS WALLER.

Fats Waller

Fats doesn't take the song too seriously, which was a bit of a change from all the other songs today. I think that was why I chose it. So, here he is with I Got Rhythm.

♫ Fats Waller - I Got Rhythm

I had quite a few options for the next song, including a few blokes which surprised me. In the end I thought that ETTA JAMES had the most interesting version.

Etta James

Etta is more noted singing rhythm and blues and rock & roll, but she shows here she can perform jazz with the best of them. Here's her take on The Man I Love.

♫ Etta James - The Man I Love

Ah, Nat, in the guise of the NAT KING COLE TRIO which is the way I like him best.

Nat King Cole Trio

Embraceable You was written for an operetta called "East is West" that never saw the light of day.

It first popped its head up in a Broadway musical called "Girl Crazy" sung by Ginger Rogers. It probably won't come as too much of a shock to learn that Fred was in that one too. However, I'm going with Nat.

♫ Nat King Cole Trio - Embraceable You

ELLA FITZGERALD and LOUIS ARMSTRONG made three albums together and from the second of these we have They All Laughed.

Ella Fitzgerald and Louis Armstrong

There were several tracks on this one (a double album) and from the first I could have used. Then there's the third album, "Porgy and Bess," but I've done a whole column on that topic, so I left it out.

♫ Ella Fitzgerald & Louis Armstrong - They All Laughed

DUKE ROBILLARD is at home playing both blues and jazz. He also makes a good fist at rock & roll when he sets his mind (and fingers) to it.

Duke Robillard

Today he is in jazz mode with The Duke Robillard Jazz Trio playing They Can't Take That Away From Me.

♫ Duke Robillard Jazz Trio - They Can't Take That Away From Me

Although the A.M. didn't have a say in the selections today, I'm sure this next is one she would have picked. It's LINDA RONSTADT.

Linda Ronstadt

Linda recorded several disks with Nelson Riddle featuring the great American songbook. It really caught on with rock & rollers and others have done the same over the years.

Today Linda sings Someone to Watch Over Me.

♫ Linda Ronstadt - Someone to Watch Over Me

ELDER MUSIC: The Singing Dead

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

* * *

Not to be confused with the Grateful Dead.

There's a category of songs that were popular in the fifties and sixties that I like to think of as posthumous songs. That is, if you listen to the words, you'll find that according to the story, the singers were dead when they sang their ditties.

That always cracked me up (I'm easily amused). I thought that there should be a column in that and there just about is. I say "just about" because I cheated a little bit with some of them.

I'll start with a classic of the genre. There have been many recordings of Long Black Veil. The Band did a superb one (goes without saying), Joan Baez did a very good one on one of her very early concert albums, Johnny Cash's was excellent.

However, I'll go back to (nearly) the beginning. This may surprise some as the song sounds as if it was an old folksong whose origins are lost in the mists of time. This isn't the case.

It was written in 1959 by Danny Dill and Marijohn Wilkin. The first recorded version was by LEFTY FRIZZELL.

Lefty Frizzell

William Frizzell gained his nickname as a boy and it had nothing to do with which was his dominant hand – he was a righty – or his politics, I assume. He was considered one of the great honky tonk singers as well as one of the great singers of heartbreak songs. He did a fine job on songs like this one too.

♫ Lefty Frizzell - Long Black Veil

MARTY ROBBINS is represented by his most famous song.

Marty Robbins

The song, of course, is El Paso. Some might say that it isn't quite posthumous, but I say hang around for a minute or two and it will be.

♫ Marty Robbins - El Paso

It was a tossup whether to include ROY ORBISON.

Roy Orbison

The song I've included is Leah, quite a big hit for him. At first it sounds as if it fits in really well until the very end. Then we get a cop out – "It was all a dream.”

I'm keeping it in as it was one of the first I thought of and besides, I was a bit short of songs.

♫ Roy Orbison - Leah

You knew JOHNNY CASH had to be present.

Johnny Cash

There are several of Johnny's songs I could have used but I opted for the obvious one, 25 Minutes to Go.

♫ Johnny Cash - 25 Minutes to Go

In lists of the worst songs ever - and such things exist - this next one always rates a mention. I'd put it at the very top, it's the worst song ever committed to vinyl. The singer, more the narrator, is PAT CAMPBELL.

Pat Campbell

To say it's tasteless, to say it's appalling, to say it's dreadful is praising it. I don't want to say anymore about it, I'll just let you listen to it, if you really want to. It's called The Deal.

♫ Pat Campbell - The Deal

At the time, KYLIE MINOGUE seemed an unlikely choice for NICK CAVE to make to duet with.

Nick Cave & Kylie Minogue

However, it seemed to work. The song they perform is from the wonderful and outrageous album "Murder Ballads" but if Nick can't be outrageous who can?

I guess you could call this a semi-posthumous song as it's a duet between the murderer and the murderee. Poor old Kylie's character is dead at the time so the song fits. It's called Where the Wild Roses Grow.

♫ Nick Cave - Where the Wild Roses Grow

Here is CHER on her own but from the period when she was still Sonny &...


Indeed, Sonny wrote the song for her and it appeared on her second solo album. Cher later rerecorded it when Sonny was nowhere in evidence. The song is Bang Bang (My Baby Shot Me Down).

♫ Cher - Bang Bang (My Baby Shot Me Down)

I hadn't realized that I Started a Joke fit our category today until I listened to it carefully, and it certainly does. It's a BEE GEES song.

Bee Gees

This was back when they were producing really fine crafted pop songs, before they stumbled into disco (quite accidently they tell us, or told us – there's only Barry still around). Anyway, here's the song.

♫ Bee Gees - I Started a Joke

I'm ashamed to admit that SONS OF THE NEVER WRONG have been around for more than 20 years and it's only recently that I stumbled over them.

Sons of the Never Wrong

About all I can tell you is that they're from Chicago and there are three of them – Bruce Roper, Sue Demel and Deborah Lader. Their song is Dead on the Highway and they certainly were, according to the song. Several times in fact.

♫ Sons of the Never Wrong - Dead on the Highway

I will always associate the song Seasons in the Sun with Terry Jacks. However, Terry wasn't the first to record it. That was Jacques Brel who wrote the song (called Le Moribond) while he was dying of cancer.

Rod McKuen translated it and several people recorded it before Terry. THE KINGSTON TRIO is a group who did.

Kingston Trio

Theirs was closer to the sardonic or even sarcastic original than Terry's overly-sentimental version and is more interesting as far as I'm concerned. It's not really a posthumous song, but like Marty above, stick around for a bit and it will be.

Here are the Kingstons with their take on the song.

♫ Kingston Trio - Seasons in the Sun

ELDER MUSIC: Creeque Alley

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

* * *

Creeque Alley is a song by THE MAMAS AND THE PAPAS about the formation of that band.

Mamas & Papas

It was written by Papa John, John Phillips, who was the main songwriter for the group.

♫ The Mamas and Papas - Creeque Alley

As you heard, the song starts with the line...

John and Mitchy were gettin' kind of itchy
Just to leave the folk music behind

John, you know. Mitchy is Michelle Phillips, John's wife. They were both in a group called THE JOURNEYMEN which is where they met.


Upon spying her, John instantly dumped his first wife and children, one of whom became the actress and singer Mackenzie Phillips, and took up with Michelle, later marrying her. From the Journeymen, we have Hush Now Sally.

♫ The Journeymen - Hush Now Sally

Continuing with the song...

Zal and Denny workin' for a penny
Tryin' to get a fish on the line
In a coffee house Sebastian sat

And after every number they'd pass the hat

Denny was Denny Doherty, the fine tenor voice in The Mamas and the Papas. Zal was Zal Yanovsky. He and Denny were Canadians and were in a group there called The Halifax Three. Sebastian is John Sebastian and went on to form the LOVIN' SPOONFUL with Zal.

Lovin' Spoonful

There was a plethora of songs from which I could have chosen something. It was really a matter of the mood I was in at the time. My mood suggested Darlin' Companion with the unmistakable voice of John Sebastian singing lead.

♫ Lovin' Spoonful - Darlin' Companion

Back to the song...

McGuinn and McGuire just a gettin' higher
In L.A., you know where that's at

McGuinn is Jim (later Roger) McGuinn who went on to create one of the finest bands of the era, THE BYRDS.


The song of theirs I've chosen is from a little later in their career. It seems that Peter Fonda wanted Bob Dylan to write music for his film Easy Rider. Bob refused but wrote a verse of a song and told Peter to "give this to McGuinn.”

He did and got a theme song for the film and McGuinn got an album out of it called “Ballad of Easy Rider.” That was the name of the song as well.

As an aside, it seems that Peter was a big fan of The Byrds, and early on he had them round to his place to play for him. Gee, that'd be al lright. The story is that he based his character in the film on McGuinn and Dennis Hopper's character on David Crosby.

♫ The Byrds - Ballad Of Easy Rider

McGuire is Barry McGuire, once in the NEW CHRISTY MINSTRELS and later had (and is still having) a rather successful solo career.

New Christy Minstrels

From the Christys (Christies?) here is a song that made it to the charts, Green, Green.

♫ New Christy Minstrels - Green, Green

That lead vocal was by BARRY MCGUIRE.

Barry McGuire

His most famous song, written by P.F. Sloan, is Eve of Destruction but you probably know that one. Instead, here's something very unlikely, Try to Remember from the musical "The Fantasticks.”

♫ Barry McGuire - Try To Remember

The song again...

When Denny met Cass he gave her love bumps
Called John and Zal and that was the Mugwumps

We've already met Denny, John (Sebastian) and Zal. Cass, naturally is MAMA CASS (Cass Elliot, originally Ellen Cohen).

Mama Cass

Mama Cass first came to notice in a group called THE BIG 3.

Big 3

They weren't hugely successful but they did release a couple of records including this one, The Banjo Song. You might know it under another name.

♫ The Big 3 - The Banjo Song

After The Big 3, Cass got together with Denny, John (Sebastian) and Zal and, as was mentioned in the song, formed THE MUGWUMPS.


John was soon replaced by Jim Hendricks who had been in The Big 3 with Cass. They made one album. Listening to their record, you can hear hints of what was to come later. See what you think with Everybody's Been Talkin'.

♫ The Mugwumps - Everybody's Been Talkin'

After the demise of The Mamas and The Papas, Mama Cass had a decent solo career until her untimely death (heart attack; ham sandwiches were not involved).

She began with a song that was actually on a Mamas and Papas album but was released as a single under her own name, Dream a Little Dream of Me.

♫ Mama Cass - Dream A Little Dream Of Me

And ending the song...

And California dreamin' is becomin' a reality.

Naturally, I'll play that song by THE MAMAS AND THE PAPAS.

Mamas & ;Papas

The Mamas and Papas - California Dreamin'

Here is a bonus. I remember seeing this program a few years ago and recently found it on YouTube. It's Barry McGuire singing, and updating, his most famous song perfomred live on Australian television program, Spicks n Specks, in 2009.

ELDER MUSIC: Even More Classical Gas

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

* * *

I started this series of columns (named by Norma, the Assistant Musicologist) to highlight lesser known composers who often don't get much of a look in on concert stages and the radio. Just doing my bit in my little corner of the world to keep interesting, little heard music alive.

Oops, that sounds a bit pretentious, just ignore it and listen to the music.

BERNHARD CRUSELL was (and I think still is) the most significant composer born in Finland (take that Jean Sibelius).

Bernhard Crusell

Besides composing, he was a clarinetist of great note and a translator. He was born in Uusikaupunki (I just threw that in because it's such a great name) but the family moved to Sweden when he was eight and that's where he spent much of his life.

He was so in demand that after various visits to France, Germany and England, the King of Sweden pretty much dragged him back (refusing to extend his visa and other underhand shenanigans). Naturally, much of his work involved the clarinet in some way or another and this is no exception, the third movement of Divertimento in C major.

♫ Bernhard Crusell - Divertimento in C maj (3)

Here is an interesting string quartet but it's not like all the other string quartets that consist of two violins, a viola and a cello. This one has had all the instruments take one step to the right, as it were.

Now we have two violas, a cello and a double bass. It gives the music a deep mellow sound. The gentleman who performed the shift is GEORG WAGENSEIL.


Although he wrote a bunch of operas, he was instrumental in the development of the symphony – Haydn took special notice of his compositions. He was an organist and harpsichordist and taught those instruments.

One of his pupils was Marie Antoinette. I presume it was the harpsichord in her case, but you never know about these things. He was one who straddled the divide between baroque and classical idioms.

This is the first movement of what he calls a sonata but is really a string quartet. It's number 2 in F.

♫ Georg Wagenseil - Sonata in F (1)

ANTONIO ROSETTI was born Franz Anton Rösler but figured there'd be more cachet in the composing biz with an Italian sounding name.

Antonio Rosetti

Besides composing, he was a dab hand on the double bass but he didn't really write music for that instrument – most of it was symphonies, concertos and various forms of vocal compositions.

This is one of his concertos, the first movement of the Concerto for two Horns & Orchestra in F major.

♫ Antonio Rosetti - Concerto for 2 Horns & Orchestra in F major (1)

You could say that JOSEPH WÖLFL studied under Mozart and Haydn and you'd be right, but all isn't as it seems. They were the more famous Mozart's father (Leopold) and the more famous Haydn's brother (Michael).

Joseph Wolfl

Joe was a bit of a prodigy and made his first concert appearance at the age of seven (playing the violin). He later became a pianist and had huge hands which meant he could span many more keys than most.

At one stage he challenged his rival Beethoven to a cutting contest on the piano which proved to be a bit of a mistake as Ludwig bested him in no uncertain terms. After that, Joe lost popularity and hived off to England where he became hugely successful with the public (but the critics didn't like him).

I'm with the public, especially in his Duet for Piano and Cello in D minor, the third movement.

♫ Joseph Wölfl - Duet for piano & cello in D minor (3)

I'm rather ambivalent about the music of the harp. Whenever I hear it on disk, my usual reaction is along the lines of, "Ho hum, that's less than ordinary.” However, hearing it played live it seems to sparkle with life and is shimmeringly gorgeous.

I'm going to include some harp music but it'll have to be from a disk because I can't really come around to each of your places and play it for you. The harp's too heavy to lug around, and besides, I can't play it, so we'll just have to make do with what we have.

And what we have, or who we have more to the point, is HENRIETTE RENIÉ.

 Henriette Renié

Henriette was a composer for the instrument as well as a teacher of it - Harpo Marx was one of her students. She started out on piano but saw and heard a harp player and she was hooked. Indeed, the person she saw, Alphonse Hasselmans, became her teacher.

Henriette composed and played at a time when it wasn't the done thing for a woman to do – late 19th and early 20th century. However, she persevered. This is the second movement of her Harp Concerto in C minor.

♫ Henriette Renié - Harp Concerto in C minor (2)

JOSEPH EYBLER was a Viennese composer who was contemporaneous with Mozart and Haydn.

Joseph Eybler

Indeed, he was some sort of distant cousin of Haydn's. Joe had lessons from Johann Albrechtsberger who also taught Beethoven, Mozart's son Franz, Anton Reicha and many other budding musicians. He (Eybler) was a good friend of (Wolfgang) Mozart and was asked to complete his Requiem but declined.

Joe was another of those composers who were very famous in their lifetime but have almost vanished from sight since. Let's resurrect his reputation a little with his beautiful second movement of the Clarinet Concerto in B-flat major.

♫ Joseph Eybler - Clarinet Concerto in B-flat major (2)

Speaking of JOHANN ALBRECHTSBERGER, let's have him as well.

Johann Albrechtsberger

He learned his trade in Vienna and one of his classmates was Michael Haydn, younger brother of the more famous Haydn. As mentioned above, Jo was a teacher of music as well as a composer. He must have been good as Beethoven praised his teaching (and Ludwig wasn't one for lavishing praise willy-nilly).

Most of his compositions follow conventional instrumentation but he did write seven concertos for Jew's harp, for heaven's sake. To the best of my knowledge these haven't been recorded, so I'll go with something else, the second movement of his Divertimento in G.

♫ Johann Albrechtsberger - Divertimento in G (2)

Here's a striking combination of trumpet and soprano. The author of the work is JAN DISMAS ZELENKA.

Jan Dismas Zelenka

The soprano is RUTH ZIESAK, and the trumpeter is REINHOLD FRIEDRICH.

Ruth Ziesak & Reinhold Friedrich

Jan was a Czech baroque composer who went to Dresden to further his career. They must have liked him there as they kept increasing his salary such that he became one the best paid musicians of his time. After that he got about a bit – Vienna, Venice (possibly), Prague, back to Dresden.

Bach and Handel both took note of what he was doing. One of the things he was doing is Laudate Pueri, and this is one of the movements (it's uncertain which as parts of it are missing).

♫ Jan Dismas Zelenka - Laudate Pueri

JEAN-BAPTISTE BARRIÈRE was a French Baroque composer.

Jean-Baptiste Barriere

He started out playing the viol but switched to the cello when that instrument became popular. Contemporary accounts say that he was a fantastically good cello player.

Most of his compositions were for that instrument, the rest for viol and harpsichord. J-B liked to show off his prowess and many of the compositions are fiendishly difficult to play, I'm told.

I don't know if this is one of those, the fourth movement of his Sonatas No 6 in C minor for Cello & Bass Continuo.

♫ Jean-Baptiste Barriere - Sonatas for Cello & Bass Continuo (4)

When I say that we will finish with Mozart, you might wonder what he's doing in a column whose purpose is to highlight lesser known composers. However, it isn't the famous Wolfgang. It's not even his father Leopold, who is fairly well known.

No, it's Wolfie's son FRANZ XAVIER MOZART.

Franz Xavier Mozart

Wolfie and Constanze had six kids, only two of whom survived into adulthood – Karl, who although considered to be an excellent pianist, became a public servant in the Viennese government, and Franz, the youngest child born the year his dad died.

Unlike his father, Franz (or Wolfgang junior as he was universally known) was introverted and very self deprecating. Naturally his music was overshadowed by his father's but it's really very good.

There wasn't much of it as he only wrote 30 compositions; he spent most of his time giving concerts and teaching. The musical Mozart line stopped with him as he never married (nor did his brother).

Here is the third movement of his Piano Concerto No. 2 in E flat major, Op 25.

♫ F. X. Mozart - Piano Concerto No. 2 in E flat major, Op. 25 (3)


Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

* * *

Snoopy the Red Baron

Although a few people in this country, like Norma, the Assistant Musicologist and I, know this, it's not generally known outside Oz that the first powered aeroplane flight in Australia was performed by Erik Weisz.

Ho hum, I can hear you say. However, when I mention that Erik's stage name was Harry Houdini that might put an interesting light on the circumstances.

This took place at Diggers Rest, a suburb of Melbourne. Naturally, there are people from Sydney who claim an earlier flight in their city. That rivalry continues to this day.

Australians are among the most travelled people on the planet. We think nothing of hopping a plane to Asia, Europe, the Americas, Africa even. However, suggest to someone in America or Britain that perhaps they might visit us, it’s “Oh no, it’s too far. It takes too long.”

Get a grip, people.

There are many songs about trains. Indeed, I’ve already done a column with a few of them that barely scratched the surface. It’s time for another mode of transport, this time planes.

It’s not as easy as trains. A lot more songs have been written about trains than about planes. I imagine it’s because, as GORDON LIGHTFOOT put it in one of his great songs, “You can’t jump a jet plane like you can a freight train.”

That’s as good a place as any to start the ball rolling. This is Gordie with Early Morning Rain.

Gordon Lightfoot

♫ Gordon Lightfoot - Early Morning Rain

There was quite an interesting album released a couple of years ago called "The Beautiful Old Turn-of-the-Century Songs" where modern artists performed Turn-of-the-Century Songs.

One of those was WILL SEXTON. He had the help of SIMONE STEVENS on his song, Come Josephine in My Flying Machine.

Will Sexton & Simone Stevens

This was a song from 1911, a little past the turn of the century but we won't quibble.

♫ Will Sexton - Come Josephine in My Flying Machine (1911)

THE BYRDS seemed to have been fascinated by flight, not just jets but space ships as well.

The Byrds

Fortunately for us, they sang about these so I can include one of their songs.

Gene Clark was the first of the original group to leave. He said it was he was afraid of flying. McGuinn said that you can’t be a Byrd if you can’t fly. A good line, I hope it’s true.

I wonder about that as after The Byrds called it quits, for a time there was a group called McGuinn, Clark and Hillman, bringing together three of the original group.

I saw them in Melbourne, and that’s a mighty long jet plane ride so maybe Gene got over his fear of flying, or maybe the original story was made up.

The Byrds’ song is Eight Miles High, a song that the wowsers of the sixties said was about drugs but then they said that about a lot of innocent songs (a few of the guilty ones too).

McGuinn said that he wrote it on a plane about flying and if you listen to it it’s a reasonable explanation. Decide for yourself.

♫ The Byrds - Eight Miles High

MERLE HAGGARD employed rather superfluous strings on his song or, more likely, they were foisted on him by the record company. Nonetheless, it's still one of his finest.

Merle Haggard

It is Silver Wings, one of the great country songs.

♫ Merle Haggard - Silver Wings

THE BOXTOPS had a song ostensibly about a letter, indeed it was called The Letter. However, listening to the words you’d think it was about trying to catch a plane. Well, except for the letter bit of the song.

The Box Tops

This song probably epitomizes the frustration of trying to catch a plane these days - even though it was written 50 years ago - better than any of the others that tend to romanticize flying somewhat.

♫ The Box Tops - The Letter

TRUCKSTOP HONEYMOON are husband and wife duo Mike and Katie West.

Truckstop Honeymoon

The reason they called themselves that is that they spent their honeymoon at a truck stop. There's a long and involved story about why that came to pass. They write songs about each other and about their kids. This is one of the latter, Lego Aeroplane.

♫ Truckstop Honeymoon - Lego Aeroplane

The song Outbound Plane was co-written by NANCI GRIFFITH and Tom Russell. They both do fine versions of the song. However, rather than deciding which to use, I noticed that on an album of Tom’s he performs it with Nanci.

Unfortunately, all Nanci seems to do on the track is some oooing and ahhing in the background, so it’s still a toss up. We seem to be overloaded with blokes this week, so Nanci it is.

Nanci Griffith

Tom first heard Nanci when she was playing and singing around a campfire at a festival in Kerrville, Texas and began championing her cause. The story is they wrote this song together sitting at Tom’s kitchen table.

♫ Nanci Griffith - Outbound Plane

When I mentioned this topic to the A.M. she immediately suggested this one.

“Oh, really?” was my reply, looking at her a little sideways.

“You have to include it”, she reposted. So, with her recommendation ringing in my ears, here are THE ROYAL GUARDSMEN with their one and only hit.

The Royal Guardsmen

The group started life as The Posmen, and that’s not a typo, at least not on my behalf. They may have mistyped it on their application for a group-name form, or whatever it is you have to do to create a name.

After the Beatles and other English groups hit it big, they decided to go for something a bit Britisher. This was their second song and the only one to make the charts, Snoopy vs The Red Baron.

♫ The Royal Guardsmen - Snoopy vs The Red Baron

The original CHAD MITCHELL TRIO consisted of Chad Mitchell (naturally), Mike Kobluk and Mike Pugh. After a while, Chad left the group for a solo career but the group retained his name and he was replaced by an unknown writer of songs called John Denver.

The Chad Mitcell Trio

The group performed some of those including one of his best known, Leaving on a Jet Plane. John later recorded the song (a few times) but it first became to my notice with a terrific version by Peter Paul and Mary.

However, I've decided to use the Mitchell Trio's version as I wasn't as familiar with this one as I am with the others. It's not all that different from John's version.

♫ The Chad Mitchell Trio - Leaving On a Jet Plane

KEVIN JOHNSON is an Australian singer/songwriter who is not widely known to the outside world, but should be.

Kevin Johnson

If anyone knows his name, it's usually through his song, Rock & roll I Gave You the Best Years of My Life. There's a lot more to him than that. For example, The Next Plane to New Mexico.

♫ Kevin Johnson - The Next Plane To New Mexico

I resisted the temptation to include a gratuitous song from Jefferson Airplane just because of their name.

Even The Beatles got into the act. Well, sort of. They have a tune called Flying - however, this is an instrumental apart from a few la la las, so it didn’t make the cut.

ELDER MUSIC: Blues Brothers

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

* * *


This column will feature the music that the Blues Brothers and their band, along with guest artists, played in the film. However, it's not music taken from the film soundtrack, it's the original versions of those songs.

For those who haven't seen the film, it's along the lines of "Let's get the band together and put on a show". Pretty much the same as those old Mickey Rooney, Judy Garland films of a generation earlier, although those featured fewer car crashes.

The music will be in the order (approximately) that they appeared in the film, so first up is the song She Caught the Katy. That one first came to my attention thanks to TAJ MAHAL, who wrote the song.

Taj Mahal

Taj isn't a straight blues musician who likes to incorporate Caribbean, African and other elements into his music. Here is his take on his song.

♫ Taj Mahal - She Caught the Katy and Left Me a Mule to Ride

The theme for the TV series Peter Gunn was written by Henry Mancini who recorded it for the program. Later, Jay Livingston and Ray Evans put words to it but we're going with the instrumental version, as that was what they played in the film.

Their version leaned more towards DUANE EDDY than Henry, so I'm going with that.

Duane Eddy

Duane's was the biggest seller of all the versions released (and there have been quite a few). It was back when Duane could do no wrong – anything he released became a hit. He's probably the biggest selling instrumentalist in rock & roll history.

♫ Duane Eddy - Peter Gunn

THE SPENCER DAVIS GROUP was blessed in having a fine vocalist and keyboard player in Steve Winwood.

Spencer Davis Group

The song Gimme Some Lovin' was written by Spencer, Steve and Steve's brother Muff (also a member of the group).

[UPDATE 2:15PM Pacific time: The first version of this song would not play. New one is uploaded.]

♫ Spencer Davis Group - Gimme Some Lovin'

JOHN LEE HOOKER was shown in the film performing the song Boom Boom as a busker on the street.

John Lee Hooker

John Lee wrote and recorded the song originally and I see no reason to go past that one.

♫ John Lee Hooker - Boom Boom

In the film, the band needed some instruments, so they went along to Ray's Music Exchange to get them. Ray, of course, is RAY CHARLES.

Blues Brothers & Ray

Like John Lee, Ray was the originator of the song he sang, Shake Your Tailfeather, and this is the way he recorded it originally.

♫ Ray Charles - Shake your Tailfeather

I don't remember this next song in the film but Wiki assures me that it's there so who am I to argue? I really must watch the film again soon. I know the song from the version by SOLOMON BURKE.

Solomon Burke

Solomon is always welcome in any column of mine and here he is with Everybody Needs Somebody to Love. It certainly sounds like something they'd perform.

♫ Solomon Burke - Everybody Needs Somebody to Love

For some reason, the crew happened to venture into church. As far as I can tell, there was no reason for this except to feature James Brown as the Reverend Cleophus James putting on quite a turn with the song The Old Landmark.

I prefer the STAPLE SINGERS to James, and they performed it earlier.

Staple Singers

Mavis Staples sings lead on this one (as she did on most of their songs).

♫ Staple Singers - The Old Landmark

One of the band members was working in a diner run by his wife played by ARETHA FRANKLIN.

Blues Brothers & Aretha

Aretha's character is none too happy about his going off like that and she tells him to Think about it. It makes no difference as he goes anyway, but we get a good song out of it.

♫ Aretha Franklin - Think

Blues Brothers

Now we get to the "chicken wire" part of the film that always brings a smile to my face. I won't spoil it for those who haven't seen the film.

Wondering what to play for this particular audience, they came up with the theme from Rawhide. The person who sang that in the TV series was FRANKIE LAINE.

Frankie Laine

♫ Frankie Laine - Rawhide

We're still in "chicken wire" mode and if Norma, the Assistant Musicologist, knew I was including this next song she would disown me (or something even more drastic), so I'm not going to tell. Let's keep it our little secret from her.

Of course, she knows it was in the film, or maybe she's put it out of her mind. If not, she probably thinks I'll omit it. Silly sausage, she should know me better than that.

You can all probably guess what's next (that is if you've seen the film). Yes, it's TAMMY WYNETTE.

Tammy Wynette

This is her best known song, Stand By Your Man.

♫ Tammy Wynette - Stand By Your Man

We've finally got to stage the concert and the master of ceremonies was CAB CALLOWAY.

Cab Calloway

Cab also got to perform his best known song, Minnie the Moocher.

♫ Cab Calloway - Minnie The Moocher

As the film was set in (and around) Chicago, Sweet Home Chicago was an obvious choice for them to perform. It was originally laid down on shellac by ROBERT JOHNSON.

Robert Johnson

In spite of his rather meagre recorded output, Robert is probably the most influential blues performer ever.

♫ Robert Johnson - Sweet Home Chicago

Thanks to all those cars that were destroyed, but that really was due to the incompetence of the other characters' driving, I don't know why our heroes were blamed for that (okay, yes I do), the whole band landed in the hoosegow.

They put on a final concert in prison and naturally performed Jailhouse Rock. This was originally done by ELVIS in the film of the same name.

Elvis Presley

♫ Elvis Presley - Jailhouse Rock


Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

* * *

The most appropriate way to start a column on 1929 is with the song Nobody Knows You When You're Down and Out. After all, this was probably the theme tune for that year. There is no one better to perform this song than the great BESSIE SMITH.

Bessie Smith

Many people recorded the song at the time and over subsequent years, but upon hearing Bessie's version, I stopped looking.

♫ Bessie Smith - Nobody Knows You When You're Down and Out

I'm sure pretty much everyone reading this would associate Singin' in the Rain with Gene Kelly and the classic film of the same name. However, the song wasn't written for the film, it's much older than that.

Although it might have been recorded earlier, its first established version was in this year, 1929, initially by Doris Travis in "The Hollywood Music Box Revue.” CLIFF EDWARDS also recorded it this year.

Cliff Edwards

Cliff was occasionally known as Ukulele Ike, as he played that instrument. I don't know where the Ike comes from.

He performed the song in a film called Hollywood Revue of 1929 which I think is different from the previous revue. Anyway, here's Cliff (or Ike) with the song.

♫ Cliff Edwards (Ukulele Ike) - Singin' In The Rain

LOUIS ARMSTRONG makes another of his regular visits to my column this year.

Louis Armstrong

St. James Infirmary has been recorded many times but it was Louis' version that was the first to become a big seller. It's considered by some to be a descendant of several songs that go back centuries. Having heard some mentioned in this context, I think they sound quite different from this one but that's musicologists for you.

♫ Louis Armstrong - St. James Infirmary

RUTH ETTING was billed as yet another of "America's Sweethearts.”

Ruth Etting

However, her life was anything but sweet. I'll omit the sordid details (only because they are far too long to relate in a brief piece like this, but Wikipedia has a very interesting account and I recommend it for anyone who likes a bit of scandal).

In the meantime, I'll have her singing Exactly Like You.

♫ Ruth Etting - Exactly Like You

In 1929, MAURICE CHEVALIER recorded what came to be his signature song from then on, Louise.

Maurice Chevalier

Early on he developed a love of acting and was involved in that as well as singing. Douglas Fairbanks urged him to go to Hollywood and Maurice did that just as talkies began.

He quickly became The Frenchman in films whenever one was called for. Here he is with his signature.

♫ Maurice Chevalier - Louise

BEN SELVIN recorded many, many songs - more than just about anyone at the time.

Ben Selvin

Ben played the violin so that's probably him in the top middle. He introduced to the world the cream of musicians from later years, including Benny Goodman, the Dorsey Brothers, Jack Teagarden, Red Nichols, and Bunny Berigan.

This is Ben with his orchestra (I don't know if any of the aforementioned are present) with My Sin. It's probably Smith Ballew on vocal refrain, but no one really knows.

♫ Ben Selvin & His Orchestra - My Sin

Am I Blue? was written this year by Harry Akst and Grant Clarke and the first recording of it was by ETHEL WATERS.

Ethel Waters

She showcased the song in the film On With the Show. Since then it's been recorded by a plethora of musicians ranging across the full gamut of styles, but Ethel did it first.

♫ Ethel Waters - Am I Blue

If anyone could lay a claim to have invented jazz, KING OLIVER would have to be at the front of the queue.

King Oliver

He was also one of the first to write jazz tunes, many of which are still played today. Unfortunately, by 1929 he wasn't playing trumpet very much due to a gum disease, so he employed others to do that.

He was still writing and arranging, however. One hit from this year by King Oliver's Creole Jazz Band is New Orleans Shout.

♫ King Oliver's Creole Jazz Band - New Orleans Shout

I think a certain long-haired performer from the sixties listened very carefully to NICK LUCAS (and his Troubadours) performing the song Tip-Toe Thru the Tulips with Me.

Nick Lucas

Norma, the Assistant Musicologist asked if you had to have a very high voice in order to sing it. Probably.

Nick introduced the song to the world in the talkie (and "singie" too, I guess) Gold Diggers of Broadway and it sat on the top of the charts for 10 weeks this year.

♫ Nick Lucas Troubadours - Tip-Toe Thru The Tulips With Me

FATS WALLER wrote the song Ain't Misbehavin' along with Harry Brooks and Andy Razaf.

Fats Waller

Fats recorded the song in our year (as well as subsequently). He wasn't the only one who has had a go at it. Here's Fats with the original version.

Fats Waller - Ain't Misbehavin'

ELDER MUSIC: Never Talk to Strangers

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

* * *

That's what our parents told us when we were kids. Actually, mine didn't because we knew everyone in the country town where we lived.

The point of this is that I was sitting idly at my computer playing some songs and The Stranger Song came up. Not at random; I select what I listen to. That got me thinking.

I know a few songs about strangers, maybe half a dozen or so. There may be more; if so, I could make something of this, so I performed a search.

Lorks a’mercy, more than 100 songs appeared with stranger in the title. This will be easy, I thought. Then I realized I had to cull them down to a manageable column’s worth. In the end, The Stranger Song didn't make the cut. Sorry Lennie.

Kicking off the strangers we have GORDON LIGHTFOOT, one I definitely had in mind before the search.

Gordon Lightfoot

The original title of his most famous album was “Sit Down Young Stranger.” After the song, If You Could Read My Mind, became a big hit, the album was retitled after that song.I still think of it with its original name.

Here is the song after which the album rightfully was named.

♫ Gordon Lightfoot - Sit Down Young Stranger

I think that MERLE HAGGARD has the best male singing voice in country music. That’s a big call – cop that, George Jones. Norma, the Assistant Musicologist, goes for Willie. He's in this column too.

Merle Haggard

I really only discovered Merle after I had read Larry McMurtry’s book, All My Friends Are Going to be Strangers, and discovered that Merle had a song of the same name.

Okay, that was some decades ago now. That got me hooked on Merle (and Larry as well). This is Merle with (My Friends Are Gonna Be) Strangers.

♫ Merle Haggard - (My Friends Are Gonna Be) Strangers

TOM WAITS takes the title of the column to heart with his song, I Never Talk to Strangers. On this one, he has the able assistance of BETTE MIDLER.

Tom Waits & Bette Midler

It's from his fine album "Foreign Affairs" and they may seem an odd pairing but it works really well. Hear for yourself.

♫ Tom Waits - I Never Talk to Strangers

JOAN BAEZ didn't start writing songs until about ten years after she started performing professionally.

Joan Baez

However, once she started she came up with some rippers. This is one of her best - in my opinion it's number one. Love Song to a Stranger. It's from her often overlooked, and underrated album "Come from the Shadows.”

♫ Joan Baez - Love Song To A Stranger

JIMMY BUFFETT is a musician who appreciates irony, indeed his career has been built around it.

Jimmy Buffett

I don’t know if this song fits into that category but I find it amusing, and that's enough for me. Who's the Blonde Stranger?

♫ Jimmy Buffett - Who's the Blonde Stranger

Doo-be-doo-be-doo. You knew this song was going to be here when you read the opening paragraph. I wouldn’t want to disappoint you, so here it is. This is FRANCIS ALBERT SINATRA from Hoboken, New Jersey.

Frank Sinatra

I really don’t think I need to say anything about Frank as his life is so well known. Strangers in the Night was written by Avo Uvezian, a musician from Lebanon who later emigrated to America. There he studied piano and composition at Juilliard.

The song he wrote was called Broken Guitar. Charles Singleton wrote English lyrics to that song and Bert Kaempfert was involved somehow or other, but I don’t know how.

Eventually it got to Frank and he recorded it. It sold squillions. Frank hated the song (although I imagine he didn’t mind the royalties).

♫ Frank Sinatra - Strangers in the Night

WILLIE NELSON recorded a whole album about a stranger; it was called “Red Headed Stranger” and it should be in the collection of anyone who is serious about music.

Willie Nelson

He performed the title song a couple of times on the album. Here is the first and longer version.

♫ Willie Nelson - Red Headed Stranger

Occasionally I’ve selected a track that I thought may be rather challenging just to see what the reaction will be. I’ve been surprised with the positive result. However, now and then, things turn out as expected.

This happened when I last included NICK CAVE. Then he sang his rather eccentric version of Stagger Lee (in the column of the same name). Here he is again with a stranger song.

Nick Cave

The song is taken from his really interesting album called "Murder Ballads" (as was Stagger Lee), so you know what to expect. The title of the song has a nod to Tennessee Williams; it's called The Kindness of Strangers, and Nick has a little "help" from Anita Lane.

♫ Nick Cave - The Kindness of Strangers

Don’t go to Strangers has been recorded by many jazz, and a few blues, singers over the years. It's a matter of selecting one of them. The one that caught my ear is by ETTA JAMES.

Etta James

Etta can fit into both those categories and many more besides.

♫ Etta James - Don't Go To Strangers

I'll finish with another song you could pretty much guarantee would be present. All I have to say is TONY BENNETT.

Tony Bennett

Also, all I have to say is Stranger in Paradise.

♫ Tony Bennett - Stranger In Paradise

ELDER MUSIC: Variations on Work Song and Round Midnight

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

* * *

Today's column is another where there are variations on two tunes. This is because I didn't have enough versions that were dissimilar enough to fill a whole column, but there were some fine versions of both tunes.

As you can gather from the heading they are Work Song, written by Nat Adderley, and Round Midnight written by Thelonious Monk.

When Norma, the Assistant Musicologist, and I were checking tracks for a previous column on the tune Moanin' we were struck how similar it was to Work Song.

That gave us the idea for this column (or half of it anyway). It seems we aren't the only ones who noticed that.

The first cab off the rank is by DION DIMUCCI and he starts with Moanin' and segues into Work Song.


Dion started his career as front man for the DooWop group Dion and the Belmonts and has evolved into a very interesting singer indeed.

♫ Dion - Work Song

THE BUTTERFIELD BLUES BAND was one of the finest blues/rock groups from the sixties.

Paul Butterfield Blues Band

Paul Butterfield knew talent when he saw and heard it and he collected them into his band – Muddy Waters' rhythm section and two of the best guitarists around, Elvin Bishop and the best of the lot, Michael Bloomfield.

Butterfield was a good singer and an excellent harmonica player. He shows that in this version along with Elvin and Michael soloing separately. Mark Naftalin gets into the act as well on organ.

♫ Paul Butterfield - Work Song

JOE & EDDIE were Joe Gilbert and Eddie Brown.

Joe & Eddie

Joe and Eddie had similar backgrounds, both born the same year, grew up in the south and moved to Berkeley, California where they met at school and started singing together.

They won several talent shows and turned professional. They were prominent in the folk boom of the early sixties. Unfortunately, Joe was killed in a car accident in 1966.

They sing Work Song with Eddie singing the solo part.

♫ Joe & Eddie - The Work Song

NINA SIMONE recorded the song a couple of times.

Nina Simone

In one version she looks back to the big band era; in the second she anticipates sixties rock music with a bit of jazz tossed in as well. Today I've included the latter one, recorded in 1961.

♫ Nina Simone - Work Song

The final version is by NAT ADDERLEY, who wrote it.

Nat Adderley

Work Song was Nat's most famous tune and it came from an album of the same name, generally regarded as his finest. An interesting aside is that it featured Bobby Timmons playing piano. He's the one who wrote the tune of Moanin'.

♫ Nat Adderley - Work Song

Thelonious Monk wrote Round Midnight in the early 1940s. Brian Hanighen later added words to the tune.

Brian also wrote with Johnny Mercer and Clarence Williams. He was instrumental in getting Billie Holiday a recording contract at Columbia. She had nothing but praise for him in her autobiography, and not just for that.

I'll start the second half of this column with a vocal version by MEL TORMÉ.

Mel Torme

Mel employs a stripped back, understated backing which suits the song superbly. You really should wait until late night for this one - oh, sometime Round Midnight (or tell yourself it's midnight somewhere in the world).

♫ Mel Torme - Round Midnight

MILES DAVIS recorded the tune in an album called "Round About Midnight."

Miles Davis

It's generally considered that Miles received a recording contract with Columbia Records after he and Monk performed the tune together at the 1955 Newport Jazz Festival. He recorded the album not too long afterwards. This is the track.

♫ Miles Davis - 'Round Midnight

STEFAN GROSSMAN first came to my notice when he made an interesting album with Danny Kalb, guitarist for the Blues Project.

JOHN RENBOURN was an English guitarist who often collaborated with Bert Jansch. Stefan and John got together and recorded an album together.

John Renbourn & Stefan Grossman

On that album they performed an acoustic guitar version of 'Round Midnight. Here it is.

♫ John Renbourn and Stefan Grossman - 'Round Midnight

There's nothing much I can say about LINDA RONSTADT that hasn't been said before.

Linda Ronstadt

Besides, I've already featured her in two columns, so I'll just play her version of Round Midnight from her album "For Sentimental Reasons," one of the ones she made with Nelson Riddle.

♫ Linda Ronstadt - Round Midnight

As is traditional (if two columns and four tunes can establish a tradition), I'll end with the person who wrote Round Midnight, and that is THELONIOUS MONK.

Thelonious Monk

Monk recorded it several times – as a solo piano piece and with various bands. The one I've chosen features GERRY MULLIGAN prominently.

Gerry Mulligan

This is taken from an album called "Mulligan Meets Monk.”

♫ Thelonious Monk - Round Midnight

ELDER MUSIC: A Barrel of Bachs

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

* * *

When the name Bach is mentioned, it's usually in reference to the great Johann Sebastian, often cited as the greatest composer ever. Sometimes his four sons who became composers are considered.

Besides these there are quite a number in the extended family who wrote music. Some of those will be featured today (along with the famous five, of course).

It didn't start with J.S.; around the area where little Johann was born, the word Bach was already used as a nickname for musician.

As I implied, the line of musicians didn't start with JOHANN SEBASTIAN BACH, but I will.

J.S. Bach

Already in J.S.'s time he was considered old-fashioned. Indeed, his music was completely forgotten for a century or more until Mendelssohn and others started playing it again in the nineteenth century. J.S. will not be forgotten again.

Some of his best known works are the six Brandenburg Concertos, especially number three which seems to be the one played most often, so I'll go for another. This is the first movement of the Brandenburg Concerto No 6.

♫ Johann Sebastian Bach - Brandenburg Concerto No 6 (1)

J.S. was married twice, the first time was to second cousin Maria Barbara Bach.

Maria Barbara Bach

They had seven kids, three died early. The survivors were Catharina who was described as unmarried and that's all we know of her. There was a son, Johann Gottfried Bernhard who was an organist and he died under "mysterious and unknown circumstances" at age 24.

That left two others who became quite well known composers and they'll be featured today.

They are Wilhelm Friedemann, known as the "Dresden Bach" or "Halle Bach,” and Carl Philipp Emanuel who had the nicknames the "Hamburg Bach" or "Berlin Bach." I'll start with the oldest son, WILHELM FRIEDEMANN BACH.

Wilhelm Friedemann Bach

Willy had a pretty good music teacher – his father – and later studied law and mathematics at university. Naturally, he went into the family trade becoming the organist at a church in Halle. He was very unhappy there and got into scrapes with the bigwigs (one of whom embezzled funds due him).

He left without another job in the offing and couldn't get another position. He supported himself and his family (only just) by teaching and he eventually died in poverty.

Willy lived in the shadow of his father but he wrote a bunch of cantatas and orchestral works. Here is the third movement of Sinfonia in D Major (used as prelude to his cantata "Dies ist der Tag").

♫ Wilhelm Friedemann Bach - Sinfonia In D Major (3)


Carl Philipp Emanuel Bach

In Mozart's and Haydn's times (which is really just Haydn's times as he was born before Mozart and outlived him by many years), whenever anyone referred to "the great Bach," it was always C.P.E. they were talking about, not his father who had slipped from the public gaze by then.

C.P.E. received his middle name from the great Georg Philipp Telemann who was his godfather and a good friend of his father's. C.P.E.'s first job was in Berlin at the service of Crown Prince Frederick of Prussia who liked a bit of a tune, and later became king Freddie the Great.

He was a handy person to know. C.P.E. stayed there for 30 years and then, after considerable negotiation, he joined his godfather in Hamburg where he became composer in residence for Freddie's sister, Anna Amalia.

He stayed there for a further 20 years. In all that time, he wrote copious amounts of music, perhaps not as much as his father, but lots in all sorts of genres. Here we have the third movement of the Cello Concerto No 1 in A minor.

♫ Carl Philipp Emanuel Bach - Cello Concerto No 1 in A minor (3)

After the death of his first wife, J.S. married Anna Magdalena Wilcke (or Wilcken).

 Anna Magdalena Bach

This union produced 13 kids, seven of whom died young. Of the remainder there were Johanna Carolina and Regina Susanna, both of whom were described as unmarried (again, that's the extent of our knowledge).

Another sister was Elisabeth Juliana Friderica who married Johann Christoph Altnikol who was J.S.'s pupil and quite a decent composer himself.

Then there was Gottfried Heinrich who was mentally handicapped but played the organ quite well, it seems, and died at 39.

Which brings us to two more composers, Johann Christoph Friedrich (the "Bückeburg" Bach) and Johann Christian (the "London" Bach).


Johann Christoph Friedrich Bach

This name has caused confusion as J.S. had a cousin, an uncle, a great uncle and an elder brother all with this name, thus "our" J.C.F. was usually called by his nickname as he resided in London, and played harpsichord there.

He may have lived there, but he liked the Italian style and many of his compositions reflect this. Everyone seemed to be writing trio sonatas around this time and he was no exception. The first movement of the Trio sonata in F major.

♫ Johann Christoph Friedrich Bach - Trio sonata in F major (1)

I'll finish the immediate family with JOHANN CHRISTIAN BACH, who is my favorite of the Bach sons.

Johann Christian Bach

That's because his style is reminiscent of Haydn and Mozart who were both friends of his. He gave lessons to the young Wolfie and later on, instructed him on the intricacies of the Sinfonia Concertante of which he was a master.

He lived in Italy for quite a few years before moving to London where he spent the rest of his life. As happened to his oldest brother, someone (his steward in this case) embezzled his considerable wealth and he also died in poverty.

Instead of one of the aforementioned Sinfonia Concertantes, I'll go with something else - the first movement of the quintet for flute, oboe, violin, viola and continuo, Op. 11 No. 3 in F major.

♫ Johann Christian Bach - Quintet Op. 11 No. 3 In F Major (1)

The musical talent managed to reach the next generation, but only just. WILHELM FRIEDRICH ERNST BACH was J.C.F.'s son and he seems to be the only one of his generation who took up the family business.

After him, the musical line ends; indeed he apparently said himself, "Heredity can tend to run out of ideas."

Wilhelm Friedrich Ernst Bach

It was a useful family to be born into if you wanted to make music. W.F.E. received training from two of his uncles, C.P.E. and J.C. Indeed, he was in London when this latter uncle died. He stayed on there for a couple more years before returning to Germany to take up the post of Kapellmeister in Berlin, a position he retained until he retired.

Here is the first movement of his Sinfonia in C major.

♫ Wilhelm Friedrich Ernst Bach - Sinfonia in C-major (1)

Now we get to some of the others and confusion may set in. It certainly did for me trying to keep straight who all these are, often with similar (or the same) names.

As I mentioned earlier, there were several in the extended family named JOHANN CHRISTOPH BACH, and here's one of those.

Johann Christoph Bach

This particular one is the son of Heinrich Bach, Johann Sebastian's great uncle. I don't know what relation that makes him to the great man, but we'll just skip over that.

This particular J.C. had a reputation as the greatest of the Bach composers until J.S. (and his sons) came along and now he's been relegated to the reserve bench. More than that, pretty much forgotten, but we'll do something about that today, even if it's only a little bit. I've included one of his motets, Fürchte dich nicht

♫ Johann Christoph Bach - Fürchte dich nicht

JOHANN LUDWIG BACH (the "Meininger Bach") was J.S.'s second cousin, or something like that. He was approximately contemporaneous with J.S.

Johann Ludwig Bach

He was a writer of cantatas and some of his were attributed to the great man until the original folios were discovered. The confusion probably arose because he'd often perform his cousin's works at the various courts where he worked.

No cantata this time, but another motet, Unsere Trübsal.

♫ Johann Ludwig Bach - Unsere Trübsal

JOHANN MICHAEL BACH (the "Gehrener Bach") was sort of a second uncle to J.S. as well as his father-in-law – he was the father of J.S.'s first wife.

Johann Michael Bach

He wrote works for the organ as well as cantatas. Besides composing, he was renowned at the time for making musical instruments, particularly harpsichords.

Those early Bachs liked their motets and here's yet another (that's about all I have of these particular gentlemen). This is a Christmas motet. I should have kept it for then. Oh well. Furchtet Euch Nicht.

♫ Johann Michael Bach - Furchtet Euch Nicht

To add to the confusion, we have another JOHANN MICHAEL BACH who was a nephew of J.S. I couldn't find a picture of him anywhere.

He was mostly a lawyer (as were several other members of the family) and later a music teacher. However, he wrote music as well and like many of the others, he specialised in cantatas.

Here is one of the called Das Volk, so im Finstern wandelt, and this is the fourth movement called “Rheinische Kantorei.”

♫ Johann Michael Bach III - Rheinische Kantorei

There are quite a few more Bachs that I've left out. I must admit that some of the very early Bachs' music is, to put no fine point on it, boring, so they won't be missed. Fortunately there is enough interesting music to fill the column.


Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

* * *

Whenever someone asks me who my favorite female singer is I'll usually say Cecelia Bartoli. Sometimes I'll say Jessye Norman or to be different, Kathleen Ferrier.

Of course, most people who ask that question aren't interested in classical music, or they think I'm being perverse (always a possibility) so they modify the question.

I then mentally review the situation – Linda Ronstadt, Emmylou Harris, Nina Simone, Etta James, Julie London, Patsy Cline. However, on reflection, the one I seem to enjoy most is JENNIFER WARNES.

Of course, that could change next week. In the meantime, here is a column of her music.

Jennifer Warnes

I'll start with the first song I first heard that registered her name in my brain. This is from her excellent album from the seventies called "Shot Through the Heart." It wasn't her first but I didn't know that at the time.

The song is I Know a Heartache When I See One.

Jennifer Warnes

♫ Jennifer Warnes - I Know a Heartache When I See One

From that same album comes a song from Norma, the Assistant Musicologist's favorite Bob Dylan album, "New Morning." The song is Sign on the Window.

♫ Jennifer Warnes - Sign on the Window

Jennifer Warnes

Here's a song I can empathise with although less so today than it was when I was younger. I imagine Jennifer feels the same way. Pissed Off 2 AM.

♫ Jennifer Warnes - Pissed Off 2 Am

Early on, Jennifer was a back-up singer for Leonard Cohen.

Jennifer Warnes

She later progressed to co-singer and later still recorded an album of his songs called “Famous Blue Raincoat,” easily the best covers of Lennie's songs anyone has done. From that album we have the title song.

♫ Jennifer Warnes - Famous Blue Raincoat

From the beginning Jennifer sang duets with many people - Bob Dylan, Harry Belafonte, Roy Orbison, Warren Zevon, Jackson Browne, James Taylor, Sam & Dave, Bobby Womack, and Tina Turner are just a few of them.

There are a couple of others you can probably come up with (who won't be in the column, even though they won Oscars). I've selected JACKSON BROWNE.

Jennifer Warnes & ;Jackson Browne

They recorded a couple of the songlets from The Beatles' "Abbey Road" album. They call it Golden Slumbers.

♫ Jennifer Warnes and Jackson Browne & Jennifer Warnes - Golden Slumbers

Jennifer Warnes

Another song from her Lennie album is the first on that disk, and maybe the most interesting, First We Take Manhattan.

♫ Jennifer Warnes - First We Take Manhattan

Another duet, and they don't get much better than HARRY BELAFONTE with whom to sing. The song is Skin To Skin, and Harry sounds as if he's 20 years old. I imagine Jennifer would do that for any red blooded male.

Jennifer Warnes & Harry Belafonte

♫ Jennifer Warnes & Harry Belafonte - Skin To Skin

From considerably earlier in her career, Jennifer recorded one of Jimmy Webb's songs (well, probably more than one, but it's a particular one we're interested in today).

Jennifer Warnes

In this case, it was a song that I've not heard anyone else perform apart from Jimmy himself. That song is P.F. Sloan. It's about another singer/songwriter whose main claim to fame is that he wrote the song Eve of Destruction.

♫ Jennifer Warnes - P.F. Sloan

I had half a dozen songs penciled in for this spot, so I ran them past the A.M. She chose this one. It's another duet, this time Jennifer has DOYLE BRAMHALL along to help out.

Doyle Bramhall & Jennifer Warnes

Doyle also plays guitar on the track which is the Eddy Arnold/Cindy Walker classic, You Don't Know Me. On this they really give Ray Charles a run for his money in pure passion. It's terrific.

♫ Jennifer Warnes - You Don't Know Me

From her album "The Hunter” thus the following photo, I've selected the song Lights of Louisianne.

Jennifer Warnes

You can probably tell from the title that there's a Cajun influence in the song. You'd be right.

♫ Jennifer Warnes - Lights of Louisianne

ELDER MUSIC: Singing with Willie

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

* * *

I think it's WILLIE NELSON's plan to sing with everyone on the planet, at least everyone who can hold a tune.

Willie Nelson

Because there are so many songs out there it makes my job easy but it makes it hard as well because there are so many songs out there. Of course, I'll only select people I like so that will make my job a bit easier.  Here they are...

A while ago Willie teamed up with Johnny Cash, Kris Kristofferson and Waylon Jennings in a group called The Highwaymen. I'm not including anything from their albums, but as a bit of a link I'll start with the daughter of one of those and she is ROSANNE CASH.

Willie Nelson & Rosanne Cash

Rosanne is a fine writer, interpreter and performer of rock & roll but because of her pedigree she often gets a gig in country music shows. She can do both really well as is evidenced by her duet with Willie, Please Don't Tell Me How the Story Ends.

♫ Willie and Roseanne - Please Don't Tell Me How the Story Ends

After Hank Williams died, RAY PRICE managed Hank's band to some success.

Willie Nelson & Ray Price

He later started his own band and throughout the years it was the spawning ground for some of the greats of country music. Some of those are Roger Miller, Darrell McCall, Van Howard, Johnny Paycheck, Johnny Bush, Buddy Emmons and Willie.

Willie later wrote songs that Ray performed to some success. They remained good friends until Ray died in 2013. They perform Home in San Antone.

♫ Willie and Ray Price - Home In San Antone

I have a fine vinyl album by TRACY NELSON that I haven't thought about for years until I decided to do this column. I'm glad I did as I started listening to it again.


Tracy is noted mostly for singing blues but she makes a good country singer as well. She's not related to Willie but he joined her on that album to produce a fine duet, After the Fire is Gone.

♫ Willie and Tracy Nelson - After the Fire is Gone

Townes van Zandt's most famous song would have to be Pancho and Lefty. Willie has the help of MERLE HAGGARD on this one.

Willie Nelson & ;Merle Haggard

You couldn't call the song a duet; Merle sings only a single verse. He may have had a larger role in this single if Willie hadn't decided to record the song in the middle of the night and woke Merle at 3AM to record it.

Merle did his one verse (perfectly) in a single take and then went when back to bed.

♫ Willie and Merle Haggard - Pancho and Lefty

CYNDI LAUPER seems an unlikely pairing with Willie.

Willie Nelson & Cyndi Lauper

However, like Willie, Cyndi is a songwriter of some substance – not as many songs as Willie, but who has? She's even had hers covered by Miles Davis so that should be good enough for anyone. Willie and Cyndi tackle the rather twee song written by George and Ira Gershwin, Lets Call the Whole Thing Off.

♫ Lets Call The Whole Thing Off (feat Cyndi Lauper)

Old Age and Treachery always overcome youth and skill is an appropriate sentiment for this website. I hope you all take it to heart and apply that lesson in your daily lives.

Willie's co-conspirator on the song is his most famous singing partner, WAYLON JENNINGS.

Willie Nelson & Waylon Jennings

Willie and Waylon performed and recorded together quite often so there's a lot of material to work with. Instead of some of their more famous collaborations, I've gone with this one.

♫ Willie and Waylon - Old Age And Treachery

EMMYLOU HARRIS would have to be present in any exercise involving duets and today is no different.

Willie Nelson & Emmylou Harris

I really don't need to tell you about the lovely Emmy, just sit back and listen to her and Willie sing Gulf Coast Highway.

♫ Willie and Emmylou Harris - Gulf Coast Highway

ASLEEP AT THE WHEEL carry on the western swing tradition made famous by Bob Wills (and some others) in the thirties and forties.

Willie Nelson & Asleep at the Wheel

Hesitation Blues goes way back, such that it's usually attributed to "Traditional.” Because of that, several people have claimed authorship (and added their own words to the song); Willie and the Wheel don't do that, they just perform it.

♫ Willie and Asleep at the Wheel - Hesitation Blues

Like Willie, ALISON KRAUSS seems to like singing with other people, lots of other people – not as many as Willie yet but he has a few years on her.

Willie Nelson & Alison Krauss

Alison recorded her first album when she was only 14. Back then she played the fiddle and mandolin. Later she started singing as well and she has a fine voice as you can hear on No Mas Amor.

♫ Willie and Alison Krauss - No Mas Amor

KIMMIE RHODES and Willie have been friends for years and have recorded together intermittently.

Willie Nelson & Kimmie Rhodes

Those tracks have been gathered together and an album called "Picture in a Frame" is the result. The song Love Me Like a Song is taken from that album.

♫ Willie and Kimmie Rhodes - Love Me Like A Song


Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

* * *


I've not always agreed with the songs that won the Academy Award for best song. That's really an understatement, there are very few with which I'd concur and that will probably be evident again tonight when this year's Oscar awards are given out in Los Angeles.

Most of the ones I think deserved it didn't even get nominated. The Grammies are even worse – they're supposed to be about music.

Now that I have that off my chest, I'll present some of the songs that did win the Oscar. These will be in order of the year they won. The envelope please...

1934: The Continental from "The Gay Divorcee"
FRED ASTAIRE and Ginger Rogers performed it in the film. However, Fred rerecorded it years later and I think that this later version is far superior. Here it is.


♫ Fred Astaire - The Continental

1936: The Way You Look Tonight from "Swing Time"
More Fred and Ginger; Fred sings the song playing the piano rather than dancing. We've had Fred, so I thought I'd check the other versions I have. None of the other singers were a patch on Fred, so I've gone for an instrumental treatment of the song by GERRY MULLIGAN.


It doesn't sound much like the original, but that's okay.

♫ Gerry Mulligan - The Way You Look Tonight

1939: Over the Rainbow from “The Wizard of Oz"
Okay, no messing around with this one. There's only one I could have chosen here and you know who it is. Here is the original from the film by JUDY GARLAND.


♫ Judy Garland - Over the Rainbow (MGM Soundtrack Version)

1949: Baby It's Cold Outside from "Neptune's Daughter"
The song was performed twice in the film, first by Ricardo Montalbán and Esther Williams and the second by Betty Garrett and Red Skelton (roles reversed in the second version).

In a more modern version here is WILLIE NELSON and NORAH JONES with tongues firmly in both their cheeks.

Willie Nelson &Norah Jones

♫ Willie Nelson - Baby, It's Cold Outside (featuring Norah Jones)

1950: Mona Lisa from "Captain Carey, U.S.A."
The song was performed in the film by Charlie Spivak but everyone who is reading this knows that this is NAT KING COLE's song. Nat recorded this several times, but they are pretty similar. This is one of them.

Nat King Cole

♫ Nat King Cole - Mona Lisa

1951: In the Cool, Cool, Cool of the Evening from “Here Comes the Groom"
This song was the product of a couple of great songwriters - music by Hoagy Carmichael and lyrics by Johnny Mercer. In the film, BING CROSBY and JANE WYMANperformed the song and they are doing it here as well.

Bing Crosby & Jane Wyman

♫ Bing Crosby - In The Cool Cool Cool Of The Evening

1952: High Noon (Do Not Forsake Me, Oh My Darlin') from "High Noon"
Most people think of Frankie Laine when this song is mentioned, however, he didn't perform the song in the film. That honor went to TEX RITTER.

Tex Ritter

Tex also recorded it a couple of times but this is the way it sounded in the film.

♫ Tex Ritter - High Noon~Do Not Forsake Me~Film Soundtrack

1961: Moon River from "Breakfast at Tiffany's"
The song was written by HENRY MANCINI and JOHNNY MERCER and performed in the film by Audrey Hepburn.

Johnny Mercer and Henry Mancini

Numerous others have also recorded it. I won't use any of those. In 2014, Henry's son found an acetate of a demo that Henry and Johnny recorded just after they composed the song. Here it is, Henry playing piano and Johnny singing.

♫ Henry Mancini, Johnny Mercer - Moon River [1961 Demo]

1971: Theme from Shaft from "Shaft"
It seems that the producers of the film promised ISAAC HAYES the lead role in the film if he'd write the score for the film.

Isaac Hayes

Isaac kept his side of the bargain but the producers reneged on their promise. The song and the album from which it was taken sold millions.

♫ Isaac Hayes - Theme From Shaft

2000: Things Have Changed from "Wonder Boys"
This isn't a film with which I'm familiar but checking on Mr Wiki it seems to have a fine cast. Not just that, the music in it meets my approval – Tom Rush, Buffalo Springfield, Tim Hardin, Little Willie John, Leonard Cohen, Van Morrison, John Lennon and, of course, the song that won the Oscar by BOB DYLAN.

Bob Dylan

♫ Bob Dylan - Things Have Changed

ELDER MUSIC: Lipstick, Powder and Paint

This is the final day of the 2016 donation campaign to help support the increasing costs of maintaining Time Goes By. You can read the details on Monday's post.

Whether you donate or not, nothing will change. TGB will always remain advertising-free for everyone with never a membership fee or paid firewall.

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Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

* * *

Lipstick Powde r& Paint

This column comes from the song of that name that has been recorded by many artists over the years. There are songs about all three, powder being the hardest one about which to find good songs.

I'll start with the name of the column; my favorite version is one of the oldest by BIG JOE TURNER.

Big Joe Turner

Joe, almost single-handedly, changed rhythm and blues into rock and roll. This is from an earlier period when he was performing jump blues (but wouldn't be out of place at a rock concert), Lipstick, Powder and Paint.

♫ Joe Turner - Lipstick, Powder and Paint

So, that's the track with all the elements present. Now, we split them up. In order I'll start with lipstick and who better than BENNY SPELLMAN.

Benny Spellman

His song has been recorded often by others but no one that I know of does it better than Benny. Lipstick Traces (On a Cigarette).

♫ Benny Spellman - Lipstick Traces (On a Cigarette)

I know that you'd be expecting this one and I don't want to disappoint you. Here is CONNIE FRANCIS.

Connie Francis

In the late fifties, early sixties Connie had many hits. This is one of them, Lipstick On Your Collar.

I always wondered what Mary-Jane was doing kissing his collar but maybe I'm just lacking in imagination. Also, he was going out for a soda pop and didn't invite Connie along. She's well rid of him.

♫ Connie Francis - Lipstick On Your Collar

By rights, JOHN HIATT should be a superstar.

John Hiatt

Naturally, the various media prefer "celebrities" rather than talent. I could go on (indeed, I did for some time, but I removed it as just too boring and ranty, a word I just made up). John performs Lipstick Sunset.

♫ John Hiatt - Lipstick Sunset

Not much in the way of powder songs. Apart from the title track, I only have one and that is by STEFAN GROSSMAN.

Stefan Grossman

Stefan is a really fine acoustic guitarist and not a bad singer but today, he just lets his fingers do the talking. Here is Powder Rag.

♫ Stefan Grossman - Powder Rag

To the paint songs. There are far too many of these to fit into this column, so I have the luxury of selecting the best of them. The one that stands out from the others is by THE BAND.

The Band

Levon Helm is the singer on this song which is from their "Cahoots" album, not their best but a pretty good one nonetheless. The song is When I Paint My Masterpiece, a song written by Bob Dylan.

♫ The Band - When I Paint My Masterpiece

Old Bill Jones had a daughter and a son. One went to Denver and the other went wrong. His wife, she got killed in a poolroom fight. My goodness, the Jones family led a colorful life.

Those who have been singing along already know that this is from the song, I Ride an Old Paint (or variations on that theme).

In some versions there are two daughters and a son and the wife is nowhere to be seen. There are many twists on the story out there and it's my job to pick one. So, here goes: MICHAEL MARTIN MURPHEY.

Michael Martin Murphey

Michael's version segues into another song just so you won't get bored. He calls it I Ride an Old Paint etc.

♫ Michael Martin Murphey - I Ride an Old Paint etc

Back in the first incarnation of the ROLLING STONES, Brian Jones liked to bring in various instruments to add color to their records. This is one example of that.

Rolling Stones

He really was a prodigy. Give him an instrument and he could play it really well in no time at all. All of that leads me to Paint It Black.

♫ Rolling Stones - Paint It Black

After all the songs for which he is known, GORDON LIGHTFOOT kept recording albums, and really good ones at that.

Gordon Lightfoot

Some of us (well, me at least) kept collecting them. One of those later albums was called “A Painter Passing Through” and here is the title song.

♫ Gordon Lightfoot - A Painter Passing Through

TAJ MAHAL yet again ends one of my columns.

Taj Mahal

I know that because I write them. Readers may not realise this as the columns could be months apart when they see light of day on TGB. Taj is doing some painting, nothing major like a house.

He's Going Up to the Country, Paint My Mailbox Blue.

♫ Taj Mahal - Going Up to the Country, Paint My Mailbox Blue