You never know who you're going to meet on the internet and I came to know Peter Tibbles (bio here) via email over the past couple of years. His extensive knowledge of most genres of music and his excellent taste became apparent only gradually (Peter's not one to toot his horn) but once I understood, I knew he needed his own column at Time Goes By - or, better, that TGB needed his column - which appears here each Sunday. You can find previous Elder Music columns here.
Farewell to these musicians who died in 2009. The world is a poorer place without them.
In spite of his music that suggested a New Orleans origin, Willy DeVille was born in Connecticut. He said he was “A little of this and a little of that, a real street dog,” having Basque, Irish and Pequot among his ancestors.
He wrote songs with Doc Pomus and some of Willy’s music sounded as if came from the fifties but mostly his soulful singing mixed Latin rhythms with New Orleans R&B style. He was one of a kind. This is Across the Borderline.
Mary Travers. Peter Paul and Mary were the biggest selling of the folk performers of the early sixties. They showcased songs by then unknown performers such as Bob Dylan, Gordon Lightfoot and John Denver. She (and they) was (were) also active in civil rights and anti-war causes.
Huey Long. It surprised me that one of the Ink Spots was still alive in 2009, but he was. He was 105 when he died. He wrote songs and played guitar in the group. He had a long and interesting musical journey later as well. Huey is the second singer in the clip.
Les Paul invented the solid body electric guitar and had many hits in the early fifties with his then wife Mary Ford. He was one of the most respected guitar players of the last fifty years and continued performing until his death.
Gordon Waller was the “Gordon” half of the sixties duo Peter and Gordon. Following in The Beatles’ wake, they had several hits at the time helped by songs written by Paul McCartney who was a friend of Peter Asher (the “Peter” half).
Gordon had a not too successful solo career afterwards and was particularly fond of the trappings of success – those that usually bring about their demise. It looks as if Peter and Gordon, especially Gordon, hadn’t learned to lip-sync in this clip (or they just didn’t care).
Mike Seeger could play any instrument that had strings - autoharp, banjo, fiddle, dulcimer, guitar, mandolin, dobro and harmonica. Okay, not too many strings on that last one. He came from a musical family: his mother, Ruth, was a classical composer, his sister, Peggy, a folk musician as was his half-brother, Pete.
He co-founded the New Lost City Ramblers, an old-time string band in the late fifties, and unlike most others, retained his love of traditional playing styles he heard on old 78rpm records of musicians recorded during the 1920s and 1930s. That’s Mike on the right in the clip.
John Martyn was an extraordinarily gifted guitar player and an interesting singer. He also was fond of a drink or two and other substances.
Barry Beckett was a session piano player in Muscle Shoals and also a respected producer involved in the albums of artists as diverse as Bob Dylan, Dire Straits, Bob Seger, Joan Baez, Etta James, Hank Williams Jr., Jerry Jeff Walker and Wilson Pickett to name just a few.
Estelle Bennett along with her sister Ronnie Bennett (no, a different one) and cousin Nedra Talley formed The Ronettes, the most interesting of the “girl groups” of the early sixties.
Eddie Bo was yet another in the long line of great pianists from New Orleans.
Liam Clancy was the youngest and last surviving member of the Clancy Brothers.
Chris Connor was one of the last big band jazz singers, with the Stan Kenton band, to become a solo artist in her own right.
Jesse Fortune was a Chicago blues singer since the fifties who recorded with Willie Dixon, Buddy Guy, Walter Horton and others. He collapsed and died on stage while performing.
Vern Gosdin had one of the finest singing voices in country music, ranking with George Jones and Jim Reeves as a singer. He started with his brothers as The Gosdin Brothers and later had a solo career.
Ellie Greenwich wrote some of the best pop songs of the early sixties with her then husband Jeff Barry. They include Da Doo Ron Ron; And Then He Kissed Me; Be My Baby; Baby, I Love You; River Deep, Mountain High"; Chapel Of Love; I Can Hear Music; You've Lost That Lovin' Feeling; Do Wah Diddy Diddy; Leader Of The Pack.
Maurice Jarre was a French composer and writer of numerous film scores.
Larry Knechtel. Classically trained pianist who played with Elvis, Simon and Garfunkel, The Doors and was one of Phil Spector’s studio musicians (the “Wrecking Crew”).
Marie Knight was a gospel singer best remembered for her work with Rosetta Tharpe during the forties and fifties.
Hank Locklin was a country singer who had some cross-over pop hits in the fifties and early sixties with songs such as Please Help Me, I’m Falling and Send Me the Pillow that You Dream On.
Dewey Martin was the drummer for the band Buffalo Springfield, noted for its excellent musicianship and extreme dysfunction. During the 1970s, he retired from the music industry and became a car mechanic.
Al Martino was a popular crooner my mum liked a lot and a boyhood friend of Mario Lanza.
Richard Meale was one of Australia’s most important classical musicians and composers who dabbed briefly with atonal music but, fortunately, returned to tonality. His best-known work is the opera Voss.
Billy Powell was a piano player in the band Lynyrd Skynyrd who survived the plane crash in 1977 that killed several others in the band.
Kenny Rankin was a singer/songwriter in the James Taylor mold. He also played guitar on Bob Dylan’s Bringing It All Back Home.
Billy Lee Riley was a Sun rockabilly singer around the time Jerry Lee Lewis made it big. He made some fine records including Red Hot and Flying Saucers Rock 'n' Roll. He later worked as a session musician playing guitar.
Dan Seals was “England Dan” in the soft rock duo England Dan and John Ford Coley. He was also the brother of singer, Troy Seals.
Bud Shank was a jazz alto sax player, first with Charlie Barnet, then Stan Kenton. Later he had a strong interest in “World Music,” playing with Ravi Shankar and others.
Gale Storm starred in a couple of fifties’ sitcoms and had some hits at that time, notably Dark Moon.
Koko Taylor was a Chicago blues singer who had several R&B hits in the sixties. She was a great influence on musicians such as Bonnie Raitt, Janis Joplin, Susan Tedeschi and others.
Zola Taylor was the female singer in The Platters when they had all those hits in the fifties.
Geoffrey Tozer was an extraordinarily gifted Australian classical pianist who brought great insight as well as energy to everything he played.