You never know who you're going to meet on the internet and I came to know Peter Tibbles (bio here) via email over the past couple of years. His extensive knowledge of most genres of music and his excellent taste became apparent only gradually (Peter's not one to toot his horn) but once I understood, I knew he needed his own column at Time Goes By - or, better, that TGB needed his column - which appears here each Sunday. You can find previous Elder Music columns here.
Frank Sinatra didn't write his own songs as Bob Dylan and The Beatles did. He didn't change jazz forever as did Louis Armstrong and Charlie Parker. But my goodness, could the man sing.
He's more akin to Elvis than any of those others. Maybe Bing Crosby. It's reported that Bing once said that "Sinatra is a singer that comes along only once in a lifetime, but why did it have to be my lifetime?"
Norma, the Assistant Musicologist, chose these tracks and, as usual, left me to say something about them.
Everyone who normally would be reading TimeGoesBy knows all this, but just in case there are some young folks who have stumbled upon us: Francis Albert Sinatra was born in Hoboken in 1915, an only child.
He was tossed out of school for singing when he was not supposed to. I don't know - if I were a teacher there, I'd have downed chalk or whatever and listened to him.
His mum got him a gig with the Three Flashes who became the Hoboken Four when he joined and after a bit of carry on, Harry James hired Frank on a one year-contract.
This is a good place to kick off proceedings with one of the very earliest songs. It was originally released just as a Harry James record and didn't do much. A couple of years later when Frank had made it big with the bobbysoxers, it was re-released with his name very prominently displayed. It went gangbusters. All or Nothing at All.
After not a great deal of success with Harry, Frank was asked by Tommy Dorsey to join his group. He jumped at the chance as this was the hot band at the time.
Frank was still under contract to Harry who graciously released him. There are rumors about how this was arranged but I'll skip over that. This brings us to Without a Song. This is actually a track by the Tommy Dorsey Orchestra with "vocal refrain by Frank Sinatra."
The title of the song is nearly prophetic as the instrumental introduction goes on so long that you start to wonder if there is any song at all. Finally it kicks in.
Here we have Frank in nostalgic mode, rather reminiscent of September Song but rather than going for that better known tune, we'll have this instead because the A.M. likes it. It is When the World was Young.
The next is a quintessential Sinatra song that may be the best he's done. I've always preferred the world-weary Sinatra to the happy-go-lucky one. There are several versions of this song, but in spite of the orchestration this may be the pick of the crop.
It's from his classic album "Only the Lonely” - One For My Baby. He does a fine version on the record from which the next couple of songs are taken but the A.M. wanted this one.
The next two songs are from an album with which you may not be familiar. This was recorded here in Melbourne and called "Live in Australia 1959" but only released a few years ago.
It includes the Red Norvo Quintet and some local musicians. Red plays vibraphone which is far from a favorite instrument of mine, but as it's such a fine album I can overlook that. Obviously the A.M. did as well as she's chosen a couple from it.
These are songs you'll know. The first is The Lady is a Tramp, which just had to be a live version she said.
Night and Day is a song Frank first recorded with Tommy Dorsey and kept returning to. Bit too much of the vibes for me in the early part of the tune, but still a great song.
Later in his career Frank recorded an album called "I Remember Tommy," paying tribute to Tommy Dorsey who really set him on the road to stardom. The album has a number of songs he originally recorded with Tommy and it was appropriate that something should be included from this one.
This was the best of them, East of the Sun (And West of the Moon).
I'll finish with a couple of duets. This is something Frank didn't do very often. The first of these is with Bing Crosby and it's from the film "High Society" that was based on an earlier, superior film, The Philadelphia Story.
However, when the music gets going in the later film it was certainly worth watching, particularly Frank and Louis Armstrong. Bing wasn't bad either when he wasn't being too soppy (something he was prone to do in the film). This is Well Did You Evah.
It's really a bit a stretch to call this next track a duet. Late in his life, Frank recorded a couple of albums called "Duets" however, he was never in the studio with the other half of the duet. His part was pretty much phoned in.
We've included this is as it gives us an excuse to play Linda Ronstadt and we'll always do that whenever we can.
This is Moonlight In Vermont.