561 posts categorized "Elder Music"

ELDER MUSIC: Classical – By the Numbers

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

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Today we’re eschewing the orchestra and having music from small ensembles. I’m going from one to ten, and we’ll see where that gets us. With the lower numbers I’m overwhelmed by choice, but as the numbers increase, the tracks pretty much choose themselves as there aren’t too many options.

Okay, instead of counting down, I’m counting up, starting at one.

ONE
I don’t know if you really call one an ensemble but I’m including it nonetheless. For one, it’s either a piano sonata (sonatas for other instruments always include a piano or other keyboard instrument, so for this exercise they really count as two) or a suite for a single instrument.

I kept going back and forth between a Beethoven sonata and a Bach English suite. In the end I settled for LUDWIG BEETHOVEN.

Beethoven

His piano sonatas are the high point of music for this instrument; no one has done it better. He wrote a whole bunch of them and I chose one that’s not as well known as the famous ones. This is the first movement of Sonata No 9 in E major, Op. 14, No. 1, played impeccably by Gerard Willems.

♫ Beethoven - Sonata No 9 in E major Op. 14 No. 1 (1)


TWO
WOLFGANG MOZART wrote a series of works variously called violin sonatas or sonatas for violin and piano.

Mozart

As far as I can tell these are essentially the same sort of thing and I’m using one of those today. In this case it’s called the Sonata for Piano and Violin in G major, K 301, and we have the second movement. It’s played by two of the best in the business, Itzhak Perlman on violin and Daniel Barenboim on piano.

Mozart - Sonata for Piano and Violin in G major (2)


THREE
Joseph Haydn invented the piano trio, and Mozart took it up and ran with it. Initially, it sounded more like a mini-piano concerto, but by the time Schubert got to it, all the instruments (piano, violin, cello) began to receive equal billing.

Probably the finest of all, and there’s a lot of competition, is the one by FANNY MENDELSSOHN, Felix’s big sister.

Fanny Mendelssohn

Felix always contended that she was a better composer than he was, and that’s a big call, but as more of her compositions are discovered, it’s easy to see that there’s some justification for his point of view.

Here is the second movement of her Piano Trio in D minor, Op 11.

♫ Fanny Mendelssohn - Piano Trio in D minor (2)


FOUR
Three, four and five are where all the quality music is. As well as inventing the piano trio, JOSEPH HAYDN also invented the string quartet, and it’s appropriate we feature one of his.

Haydn

That’s Jo himself instructing some others how he wants his music played. Although they weren’t his first, the six string quartets that make up his Opus 20 are the ones that gained him the reputation as father of this musical style.

One of those is the String Quartet in C Major, Op.20 No.2, the first movement.

♫ Haydn - String Quartet in C Major Op.20 No.2 (1)


FIVE
Normally I’d put Mozart here with his clarinet quintet, but I’ve already featured him above so I thought we should have someone different, someone nearly as good as the great man, CARL MARIA VON WEBER.

Weber

Like Mozart’s, his clarinet quintet is still regularly performed and recorded to this day. Listening carefully to it, it’s obvious that he lent an ear to Wolfie’s. Learn from the best is good advice.

This is the fourth movement of his Clarinet Quintet in B flat major J 109.

♫ Weber - Clarinet Quintet (4)


SIX
IGNAZ PLEYEL was far and away the most famous composer of his time.

Pleyel

In retrospect, this might seem unusual as his time encompassed Boccherini, Beethoven, Hummel, the latter years of Haydn and many others. Like some other famous (at the time) composers, he quickly slid from view and only a few appreciate him these days.

He was a workaholic, writing hundreds of compositions. He was also a businessman, creating a publishing company that published just about everyone composing at the time. Besides all that, he created a company that made probably the best pianos around, and it continues to this day.

Getting back to the music, this is the first movement of his Sextet in E flat major.

♫ Pleyel - Sextet in E flat major (1)


SEVEN
Just imagine what JOHANN NEPOMUK HUMMEL’s address book was like.

Hummel

He lived with the Mozarts for a couple of years and was taught by Haydn, was good friends of both Beethoven and Schubert. He taught Mendelssohn and was also good friends with Goethe. Jo also composed quite a bit of music including the Piano Septet No. 1 in D minor, Op. 74. This is the second movement.

♫ Hummel - Piano Septet No. 1 in D minor Op. 74 (2)


EIGHT
Felix Mendelssohn deserves this spot for his extraordinary Octet for strings in E flat major, Op. 20 which he wrote at age 16. However, he is featured down below, so we have someone else in his place. In spite of his name, PETER WINTER was a German composer.

Peter Winter

In terms of style and age, he fits neatly between Mozart and Weber. During his lifetime he was a wildly successful opera composer, one of which was a continuation of the story of Mozart’s “Magic Flute”. None of his operas are performed these days.

He graces our column today for his Octet for Winds and Strings, the third movement.

♫ Winter - Octet for winds and strings (3)


NINE

LOUISE FARRENC was born Louise Dumont in Paris and showed musical talent at a young age.

Farrenc

She began studying at the Paris Conservatoire at age 15. Later she met and married Aristide Farrenc, a flute player of some note and the two toured playing flute and piano.

Ari tired of the performing life and started a music publishing company which proved a boon for his wife. Louise initially only wrote music for the piano but after some years branched out into larger works, one of which is her Nonet for Strings and Wind in E-Flat Major, Op. 38. Here is the third movement.

♫ Farrenc - Nonet for Strings and Wind in E-Flat Major Op. 38 (3)


TEN
There’s been a change of plans. Originally I had an arrangement of a part of Mendelssohn’s Midsummer's Night Dream for dectet. After playing it several times, I decided to throw it out as it wasn’t very good. Indeed, it was awful. Not Felix’s music, the arrangement is what was so jarring.

In its place we have JEAN FRANÇAIX with his Dixtuor for Wind Quintet and String Quintet.

Françaix

He cheated a bit as it’s not quite a dectet, it’s a wind quintet and string quintet cobbled together – well, there are ten of them. This is the third movement.

♫ Françaix - Dixtuor for Wind Quintet and String Quintet (3)


Ten is pretty much as far as we go. There are a couple of works mentioned on the web for hendectet or undectet, which are both for eleven instruments but I don’t have any of those. Generally after ten, ensembles are just called orchestras or bands or something.

Since I threw out FELIX MENDELSSOHN, and up above I said that he deserved to be at the number eight spot, I thought I’d have him back in as a bonus.

Mendelssohn15

As I mentioned, this is his Octet for strings in E flat major, Op. 20, the first movement. Sit back and let the music float all around and over you.

Mendelssohn - Octet Op 20 (1)




ELDER MUSIC: Johnny Cash

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

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Johnny Cash

For those who have been living on Saturn for the last 60 or 70 years, JOHNNY CASH was one of the most important musicians in country, pop and various other genres of music during that time. He was also an advocate for Native American rights and prison reform, amongst other things.

He was a good man and occasional bad boy in the one distinctive package. There’s too much that happened in his life for me to tell you here, so we’ll just get to the music. Out of his many hundreds of songs, I’m sure I’ve omitted your favorites. These are the ones I think deserve to be present.

I’ll start early (but not the very earliest) with the song Guess Things Happen That Way. It was written by Jack Clement and it made the pop charts as well as the country ones back in 1958.

John had a few hits before this one which could just as easily have begun this column.

♫ Guess Things Happen That Way


Johnny Cash & Ten Two

Norma, the Assistant Musicologist, insisted that the next song be present. It was going to be anyway but she just added some weight to that.

I’ve always assumed that the Tennessee Flat Top Box was one of those early twentieth century Gibson acoustic guitars so prized by aficionados of such instruments, of whom I assume John was one as he wrote the song.

♫ Tennessee Flat Top Box


The Statler Brothers were one of the finest harmony groups in country music, if not the best of the lot. John started them on the road to success by having them as part of his touring band. Not just that, he had them backing him on recordings as well.

Here they are on Daddy Sang Bass, with Jan Howard (not June Carter, as is often suggested). The song was written by Carl Perkins.

♫ Daddy Sang Bass


JohnnyCash33

Ira Hayes was an American war hero; he fought in Bougainville and in the two Iwo Jima campaigns. Indeed, he was one of the marines who famously raised the flag on Mount Suribachi on Iwo Jima.

However, he was a Pima Indian and he was treated disgustingly by the government and the people upon his return. I’m not just saying that to make a point about American’s treatment of their original people, the same thing happened in Australia to our Aborigines. It was shameful of both our countries.

Here is The Ballad of Ira Hayes, written by Peter La Farge.

♫ The Ballad of Ira Hayes


Johnny Cash

Towards the end when none of the major record companies would touch him, Rick Rubin asked John if he’d like to have him as a record producer, and release his records through his label.

This was somewhat unusual, as Rick was best known at the time for producing hard rock and hip hop artists. He was a fan of John’s though, and he went on to produce half a dozen albums that stand as some of the most interesting of John’s career.

His voice may not have the power and quality it had when he was younger but there's no doubting his integrity. It's a man who's seen everything, done everything and never compromised.

Here is the appropriately named A Singer of Songs.

♫ A Singer of Songs


Johnny Cash

There are stories that John spent time in prison. He didn’t, at least not involuntarily. He did spend a lot of time performing, entertaining the inmates. He made a couple of famous albums at such places – Folsom and San Quentin Prisons.

The song Folsom Prison Blues was originally recorded in 1955 and it was used extensively as his opening song in concerts. This was especially so at Folsom Prison where it went over like gang busters. Here’s the original version.

♫ Folsom Prison Blues


Bill really should have listened to his mum when she advised him Don't Take Your Guns to Town. Naturally, he was young and stupid and didn’t listen. You can guess, or already know, the outcome.

♫ Don't Take Your Guns To Town


Johnny Cash

Eric Von Schimdt wrote the song Joshua Gone Barbados, and he recorded a fine version of it. The definitive version is by Tom Rush. John recorded the song as well with some help from Hoyt Axton. It’s certainly up there with the previously mentioned ones.

There are conflicting stories about the accuracy of the song. Some contend that Ebenezer Joshua was a hero on the island, others that he was a villain. There’s no dispute about Sonny Child though. I imagine that the legend will outlive the truth. It’s a good song though.

♫ Joshua Gone Barbados


Johnny Cash

James Garfield was the second American President to be assassinated. He didn’t die immediately and he probably wouldn’t have died at all if the doctors at the time didn’t fiddle around in his insides with their filthy hands; they didn’t hold with this sterilisation nonsense.

The shooter in this instance was Charles Guiteau. John tells us all about this in Mr Garfield.

♫ Mr. Garfield


Johnny Cash

Here is another song from very late in his career, and John’s voice is really cracking but there are few people who record with the dignity and integrity that he displays on this song.

It’s Four Strong Winds, written by Ian Tyson, a writer (and singer) of superb songs.

♫ Four Strong Winds


Johnny Cash

I’ll end with what I consider the high point in John’s canon; I think the finest song he recorded. That’s a big statement, given the quality of the songs both included here and the many great ones I left out.

This was written by Bruce Springsteen and is on his extraordinary “Nebraska” album. Bruce does a fine, if rather low-key, version on that disk and for once I prefer the cover. It almost seems as if he wrote the song with John in mind. It is Highway Patrol Man.

♫ Highway Patrolman




ELDER MUSIC: Macheath

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

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It’s been a while since I had a variation on a single song column, so it’s time for another. The song for today is Die Moritat von Mackie Messer. You may know this better as Mack the Knife.

Macheath first saw the light of day in John Gay’s “The Beggar’s Opera” back in 1728. He was based on a real person, Jack Sheppard, who was a thief but essentially a good guy. Others suggest that it might have been Robert Walpole, but that was probably just for political purposes.

The character turned up in several plays after that getting darker and darker, until he became the Macheath in “Die Dreigroschenoper”, by Kurt Weill and Bertolt Brecht. This is more commonly known in English as “The Threepenny Opera”.

Let’s start with the original version, the woman who sang it in the first production of “The Threepenny Opera”. Interestingly, in many versions since this one, this singer was name-checked as one of the victims. She is LOTTE LENYA.

Lotte Lenya

Lotte was married to Kurt and besides the German version, she also appeared in a revival (in English) in New York. Here she is with original Ballad of Mack the Knife (Moritat).

♫ Lotte Lenya - Ballad of Mack the Knife (Moritat)


For a complete change of pace, I’ll give you an instrumental version, sounding somewhere between the zither playing from “The Third Man” and Lawrence Welk’s bubble machine. The players are LES PAUL AND MARY FORD.

Les Paul and Mary Ford

Unfortunately, Mary doesn’t sing on this one (neither does Les). It’s just their guitars doing strange things on Moritat.

♫ Les Paul & Mary Ford - Moritat


We now get to something approximating the way we generally know the song. This one is a pretty straight ahead pop version by PEGGY LEE.

Peggy Lee

However, Peggy has never made exactly straight ahead pop. There’s always something interesting in what she sings. That’s why I’ve included her performing Mack the Knife.

♫ Peggy Lee - Mack The Knife


Getting back to the original, but sung in English, here is STING.

Sting

This is the only English language version that mentions his arson and the murder of children. I guess that was a bit too much for the pop sensibilities of the other performers (or record executives). Of course, if you don’t listen too closely you’ll miss the references. Here is The Ballad of Mac the Knife.

♫ Sting - The Ballad Of Mac The Knife


This column was inspired when I heard RICKIE LEE JONES perform our song on a local radio station.

Rickie Lee Jones

I thought she did an interesting interpretation and wondered if there were more out there (apart from the obvious candidates). A search of my music collection found that that was certainly the case. Indeed, more than would fit in a single column.

So here’s today’s inspiration, Rickie Lee with Mac the Knife.

♫ Rickie Lee Jones - Mac the Knife


DAVE VAN RONK was a blues musician who could sing pop songs and numbers from musicals and make them sound like the deepest blues.

Dave Van Ronk

That’s what he does here – makes our song sound as if it originated from the Mississippi Delta or the bayous of Louisiana, rather than Berlin in the Twenties. He calls this one .

♫ Dave Van Ronk - Mack the Knife


SONNY ROLLINS produces my favorite version of the song.

Sonny Rollins

That’s probably because there are no words and the tune is not at all evident apart from brief glimpses at the start and end. It’s mostly Sonny going off on his own tangent with some beautiful improvisation. He calls it Moritat.

♫ Sonny Rollins - Moritat


There was an English film made in 1989 called “Mack the Knife” based on “The Threepenny Opera”. It had a surprisingly good cast of actors and singers. One of the singers, and the one who sang the title song, is ROGER DALTREY.

Roger Daltrey

Baby boomers, and those who are familiar with the music of the sixties and seventies, know that Roger was the main singer from the rock group The Who. He doesn’t sound at all the way he did in that group when he sings Mack the Knife, along with other singers from the film.

♫ Roger Daltrey - Mack the Knife (1989) ~ The Moritat


You might think that some of the tunes today have been a little away from the way you remember the song. Now we have one that’s totally off the planet, and it’s probably no surprise that the performer is DR JOHN.

Dr John

The good Doc brings in elements of New Orleans (of course), but also rap, hip hop and who knows what else. He has the help of Mike Ladd and Terence Blanchard on this one. He simply calls the song Mack the Knife.

♫ Dr John - Mack the Knife


I first became aware of the song when LOUIS ARMSTRONG recorded it back in the Fifties and took it to the top of the charts.

Louis Armstrong

I imagine I’m not alone in that. Satch produces some wonderful trumpet playing in this one, something I probably didn’t appreciate at the time. You were probably all expecting this one, so I don’t want to disappoint you. Here is Mack the Knife.

♫ Louis Armstrong - Mack The Knife


I know some of you will be saying, “Where’s Bobby Darin?” I thought his version was too much like Louis’, and was obviously based on that one. I wanted as much variety as possible.




ELDER MUSIC: John Prine

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

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John Prine

JOHN PRINE is one of the finest, most admired and best loved songwriters for the last 50 years. Like most of his ilk, he’s probably the best interpreter of his songs but because so many people have performed them there’s bound to be some gems by others out there as well. I have a couple of those in the column as well as John’s own.

John Prine

John was one of the few people who could write sensitive and accurate songs about old people when he was still a young man. Robbie Robertson from The Band was another who did that. I suspect all the others didn’t have the imagination to want to try to do that.

The song I’m talking about, and it’s not his only one in this genre, is Hello in There.

♫ Hello in There


John Prine

There have been many terrific versions of the song Paradise. Probably the best of these was by the Everly Brothers. John Denver had a good one, as did the Nitty Gritty Dirt Band. Good as these are I’ll go with John.

He recorded it twice, once on his debut album “John Prine”, the second on the more recent “German Afternoons”, where he performs it in semi-bluegrass style.

John was writing about environment concerns years before it was even considered in politics (okay, that’s not difficult as it’s barely mentioned even now).

♫ Paradise


On her album “Other Voices, Other Rooms” where she performs cover versions of other songwriters, Nanci Griffith sings one of the best cover versions of a song by John.

Nanci Griffith

In this case she has the help of the man himself on Speed of the Sound of Loneliness.

♫ Speed of the Sound of Loneliness


John Prine

John has fun speculating on what happened to Jesus during the time that the New Testament is silent on what happened to him. That’s fine by me as I believe that the rest of his life is equally speculative. Here is Jesus, The Missing Years.

♫ Jesus, The Missing Years


The song Let’s Invite Them Over could make a pretty good plot for a TV soapie. John has the help of IRIS DEMENT on this one.

John & Iris

Of course we don’t know the attitude of the other couple, but as the song includes “again” I imagine that they’re okay with the situation.

This isn’t one of John’s songs, it was written by Onie Wheeler and was first recorded by George Jones and Melba Montgomery. John and Iris do it better.

♫ Let's Invite Them Over


John Prine

Lake Marie is a multilayered song - it’s a love song intertwined with history, murder, legend and heartbreak. It’s ostensibly about a lake in the Chain O’Lakes near the Illinois/Wisconsin border, but it’s a lot more than that. This is a really great song.

♫ Lake Marie


BONNIE RAITT has recorded, and played in concert, quite a few of John’s songs.

Bonnie Raitt

She’s probably the best interpreter of his music except John himself, and on Angel From Montgomery Bonnie might even pip him at the post.

♫ Bonnie Raitt - Angel From Montgomery


I grew up in a town about this size, so I know what John’s singing about. We left when I was about 13, but of course your formative years stay with you for the rest of your life.

To know what I’m talking about we should listen to John singing In a Town This Size with the help of DOLORES KEANE.

Dolores Keane

♫ In a Town This Size


John Prine

Back when John wrote Illegal Smile, what he was referring to certainly was illegal. Nowadays, there are a lot of place where it’s perfectly legal. I wonder if that removes the frisson of the song somewhat.

♫ Illegal Smile


Normally, I would say that I really like to include LEE ANN WOMACK in a column, but I discovered that this is the first time I’ve done that. Thanks John, for getting me to do it.

Lee Ann Womack

Unfortunately, Lee Ann seems to be trying to be Dolly Parton rather than herself, but I’m including the song anyway. It’s a good old cheatin’ song, this time with someone from the past. Fifteen Years Ago.

Fifteen Years Ago


John Prine

Oh my, can John write sad songs that sound as real as any news story? Well, more real the way news is at the moment. You can picture Donald and Lydia quite readily, but that’s not unique to this one – John’s details in most of his songs make them stand out from most other writers’ material.

Donald and Lydia




ELDER MUSIC: Classical Predilections 7

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

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Some more music that has tickled my ears over recent times.

WOLFGANG MOZART needs no introduction from me besides saying he is one of the four greatest composers in history.

Mozart

Nothing else needs to be said about him. Everyone should have some Mozart in their home.

If you don’t (or even if you do) here’s some to go along with - his Violin Concerto No. 3 in G major, K216, the second movement. For some reason his violin concertos don’t get as much recognition as his other famous compositions.

♫ Mozart - Violin Concerto No. 3 in G major K216 (2)


ANN CARR-BOYD is an Australian composer and musicologist (a real one).

Carr-Boyd

She was born Ann Wentzel – her grandfather came to Australia with an orchestra and decided to stay. Her father was Ann’s first teacher and he and his brother both played viola in the Sydney Symphony Orchestra.

Besides being a composer, Ann is a teacher, broadcaster and has contributed to various books on music, including the prestigious Grove Dictionary.

Here is her composition Rag for Razz, originally written for a piano, but this version is for piano and violin.

♫ Carr-Boyd - Rag for Razz


The Stamitz family produced several composers of note. JOHANN STAMITZ was the first of them. He had two sons, Anton and Carl, who were also pretty good at this composing lark, and Carl is probably more famous than dad.

Johann Stamitz

Jo was born in what is now the Czech Republic, but from his early twenties onward lived in Mannheim (now Germany). He died quite young, only 39, as seems to be mostly the norm for composers back then.

Jo gives us his Concerto for Clarinet and Orchestra in B-flat major. This is generally considered to be the very first clarinet concerto.

♫ Stamitz J - Clarinet Concerto in B-flat major


Not a great deal is known about JACQUES MOREL.

Morel

He studied under Marin Marais, who wrote the book (literally) on playing the viol (like a slightly bigger cello with extra strings). Here Jacques takes on board what he learnt from Marin and adds a bit of flute for his Chaconne in G major, really just a trio.

♫ Morel - Chaconne en trio in G major


MAURO GIULIANI was a wizard on the guitar, sort of the Eric Clapton of his time; and he did it all without having to plug in.

Giuliani

He was also a gifted cello player as well as a singer and composer. Although he wrote for other instruments, the overwhelming number of his compositions is for the guitar. This is one of those, the Guitar Concerto No 1 in A, Op. 30, the third movement.

♫ Giuliani - Guitar Concerto No 1 in A Op. 30 (3)


WILLIAM BARTON is a virtuoso didjeridu (or didjeridoo, depending on where you come from) player. I bet you haven’t encountered many of those in your life.

William Barton

The late great Australian composer Peter Sculthorpe used William’s playing to add color to several of his string quartets. He also wrote special dedicated compositions as well.

Besides being a wizard on the didj, William is also a composer and singer. One of his compositions is Birdsong at Dusk, which is a string quartet with William singing on top and some didj work towards the end.

♫ Barton - Birdsong At Dusk


FRÉDÉRIC CHOPIN was Polish by birth and French by inclination. Indeed, his dad was born in France and went to Poland. Fred did the journey in the opposite direction.

Chopin

To my mind he was the finest composer for the piano in the 19th century (if you exclude Beethoven, who didn’t just stick to the piano). He wrote all sorts of things for the instrument, including waltzes, and this is one of those.

The Waltz in B minor, Op. 69, No. 2. The great Artur Rubinstein twiddles the ivories.

♫ Chopin - Waltz Op. 69 No. 2 in B Minor


I’m generally not a big fan of JEAN SIBELIUS, I can usually take him or leave him (mostly leave him).

Sibelius

However, I’ll acknowledge him when something of his strikes my fancy, and my fancy has been struck by his Violin Concerto in D Minor, Op. 47, the second movement.

♫ Sibelius - Concerto for Violin and Orchestra- Op 47 (2)


“La Rondine” is far from the most popular opera written by GIACOMO PUCCINI.

Puccini

However, there are a couple of arias that are often performed in concert, even if the complete opera isn’t. One of those is Chi il bel sogno di Doretta (Doretta’s Dream Song), performed here by the splendid RENÉE FLEMING.

ReneeFleming

♫ Puccini - La Rondine ~ Chi il bel sogno di Doretta (Doretta s Dream Song)


I’ll end with something that’s not often heard in the classical repertoire – a trombone concerto. The person responsible for this is GEORG WAGENSEIL.

Wagenseil

Georg was a stay at home sort of a person – he was born in Vienna and stayed there for the rest of his life. I guess if you were a composer or musician at the time (the time being the 18th century) that was the place to be.

Anyway, here is his Concerto in E-flat major for Alto Trombone.

♫ Wagenseil - Concerto in E-flat major for Alto Trombone




ELDERMUSIC: Motown - The A.M.'s Choice

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

* * *

This is the response of Norma, the Assistant Musicologist, to Mojo magazine’s top 100 songs from Motown.

Quite a few years ago, I wrote about the top 20 and you can find those columns here and here. These are the songs the A.M. thought should have been in the top 10.

It surprised me that she would do this as I didn't think that she was a great fan of Motown over the years. You live and learn. The only one she thought they got right was their number 1, Martha and the Vandellas with Dancing in the Street.

The songs are in no particular order and the numbers in brackets after each is the position that Mojo assigned each song (where they were present in the list). The A.M. said that she avoided the obvious songs, the ones that made the original top 20.

As is usual when the A.M. selects music for a column she leaves me to do the actual writing, so let's get this show on the road.

THE TEMPTATIONS were a major presence in the top 20, deservedly so, and they are going to be included here as well.

Temptations

They had a number of lineup changes over the years, but that didn’t seem to affect the quality of the music they recorded. Here is The Way You Do the Things You Do. (55)

♫ Temptations - The Way You Do The Things You Do


MARVIN GAYE made a couple of appearances in the top 20 but none as a duet singer. The A.M. is partial to duets, so we have a couple of those today. The first is with KIM WESTON.

Marvin & Kim

After Marvin and Kim had a hit with It Takes Two (36), they recorded an album together (“Take Two”). Shortly after the album was released, Kim left Motown because of a dispute over her royalties, so no more Marvin and Kim.

♫ Marvin Gaye - It Takes Two


MARTHA AND THE VANDELLAS make their first appearance with Nowhere to Run (50).

Martha & Vandellas

They are Martha Reeves, Rosaland Ashford and Betty Kelley. There were other members early on but they dropped by the wayside. The song is one of the group’s signature songs, but they have several in that category.

♫ Martha&Vandellas - Nowhere to Run


DAVID RUFFIN is best known as one of the lead singers in The Temptations during their classic period.

David Ruffin

After he left the group, he had a few solo hits and teamed with his brother to record a quite decent album. He later teamed with fellow Temptations singer Eddie Kendricks to perform old Temps’ songs, and the two of them also did some great performances with Hall & Oates.

David’s increased drug use led to deteriorating performances and eventually his death at age 50. From his solo period he sings Walk Away From Love (66).

♫ David Ruffin - Walk Away From Love


I was surprised that MARY WELLS’ most famous song rated as low as it did.

Mary Wells

The song was written and produced by Smokey Robinson and it was easily Mary’s biggest hit. After this one, she left Motown in the hopes of getting a better deal elsewhere but nothing she did subsequently came anywhere near the success of My Guy (48).

♫ Mary Wells - My Guy


Now this one really surprised me. The A.M. has never expressed any enthusiasm for THE SUPREMES. Indeed, generally the opposite. I think it's more to do with Diana Ross than the group itself.

Supremes

The A.M. chose You Can’t Hurry Love (27) which certainly has a good backbeat and has some almost jazz-like phrasing. I think it was a good choice.

♫ Supremes - You Can't Hurry Love


The A.M. and I are in agreement that the FOUR TOPS should be present and not just because they had five songs in the top 50.

Four Tops

They were a superb singing group lead by one of the finest around, Levi Stubbs. Baby I Need Your Loving (43) was the lowest ranking of theirs in the list.

♫ Four Tops - Baby I Need Your Loving


KIM WESTON was up there with Marvin, and now she’s on her own.

Kim Weston

Her song is Take Me in Your Arms (Rock Me a Little While) (not ranked). The A.M. says she really likes the Doobie Brothers’ version of this which was on high rotation on a bus trip she took through South America back in 1975, but the Doobies don’t count as Motown, so Kim it is.

♫ Kim Weston - Take Me In Your Arms (Rock Me A Little While)


MARVIN GAYE makes another duet appearance, this time with TAMMI TERRELL.

Marvin & Tammi

Tammi took over dueting duties with Marvin after Kim went elsewhere. Marvin and Tammi were even more successful and were really close friends. Tragedy struck when Tammi was diagnosed with brain cancer and died at only 24.

The writing (and occasional singing) duo Ashford and Simpson wrote the song Ain’t No Mountain High Enough (22) and this version was successful enough for them to write more songs for Marvin and Tammi.

♫ Marvin Gaye - Ain't No Mountain High Enough


We end with the A.M.’s number 1. The performers are MARTHA AND THE VANDELLAS.

Martha & Vandellas

Mojo had them at the top as well, but with a different song. The A.M. thinks that (Love Is Like A) Heat Wave (39) should have been at the top.

Martha&Vandellas - (Love Is Like A) Heat Wave




ELDER MUSIC: 1940 Again

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

* * *

Instrumentals seem to be the big thing in 1940, and we have several of them today. Perhaps it was just my selection that skewed them that way.

The song Sweet Lorraine has always been synonymous with Nat King Cole as far as I’m concerned. Of course, he wasn’t the only one who recorded the tune. In 1940 ART TATUM assigned it to wax (or shellac or whatever).

Art Tatum

Art had an enormous influence on pianists who followed him. Alas, he did like a small glass of sherry now and then. Okay, perhaps a bit more than that and he died due to the effects of alcohol at the age of 47. Let’s see how he compares with Nat with this tune.

♫ Art Tatum - Sweet Lorraine


THE INK SPOTS make their regular appearance again today.

Ink Spots

If you don’t know about the Ink Spots you haven’t been reading my columns for very long. They were one of the finest singing groups for the last hundred years. Here they are with a hit from our year, Whispering Grass.

♫ Ink Spots - Whispering Grass (Don’t Tell The Trees)


We’re at the height of the popularity of big band music, so it would be perverse of me not to include something from that genre. Of course, I’ve been known to be perverse in these columns, but not today. Here is ARTIE SHAW.

Artie Shaw

Frenesi was written by Alberto Dominguez, and Artie and his band had the biggest hit at the time. It’s been recorded many times by the cream of performers, but this is the way it started out.

♫ Artie Shaw - Frenesi


T-BONE WALKER is known as one of the best guitarists from the last hundred years. Well, that’s my considered opinion.

T-Bone Walker

Today, however, he puts his guitar down and sings some blues in the style of performers from 1940. I’d prefer that he’d play the guitar, but I can’t have everything. Here is T-Bone Blues.

♫ T-Bone Walker - T Bone Blues


Any year where BILLIE HOLIDAY is featured is all right with me.

Billie Holiday

The song she sings, Night and Day, is one of the most recorded songs in history, but it’d be difficult to come up with a better version than hers.

♫ Billie Holiday - Night and Day


JIMMY RUSHING was the singer for the Count Basie Orchestra for quite a few years.

Jimmy Rushing

Jimmy was respected by all his peers, he could sing loud, soft and in between. Here he’s in the middle ground with the Count and his crew performing I Want A Little Girl.

♫ Jimmy Rushing - I Want A Little Girl


There were some hints of music to come, in spite of the popularity of swing music at the time. This was in the form of small groups, playing boogie woogie and rhythm and blues. These elements eventually led to rock and roll about 15 years later, and there’s a hint of that in WILL BRADLEY’s song today.

Will Bradley

That song is Down the Road a Piece.

♫ Will Bradley - Down the Road a Piece


Almost certainly, the most popular band around at the time was that led by GLENN MILLER.

Glenn Miller

Here he is with his band with one of his most popular numbers (literally - sorry), Pennsylvania 6-5000, the phone number of the hotel in New York where the band stayed quite often, handily close to Penn Station.

♫ Glenn Miller - Pennsylvania 6-5000


Another big band is that of ERSKINE HAWKINS & HIS ORCHESTRA.

Erskine Hawkins

On this track Avery Parrish is featured playing piano on a bluesy instrumental. Avery wrote this tune in spite of it being credited to Erskine on the record label. That sort of thing went on back then, as well as later. The tune is After Hours.

♫ Erskine Hawkins - After Hours


The Boswell Sisters were a big name act during the thirties. They appeared a bunch of times on BING CROSBY’s radio program during those years. By 1940 they had pretty much finished performing as a trio.

CONNEE BOSWELL, however, kept going as a solo artist as well as singing now and then with Bing.

Bing Crosby & Connee Boswell

Connee changed her name from Connie for some reason; it’s not quite the radical name change that some performers make. Anyway, after the sisters called it a day, Connee went out as a solo singer, and occasionally as a duo as we have today.

The song she and Bing perform is Between 18th and 19th on Chestnut Street.

♫ Bing Crosby & Connee Boswell - Between 18th And 19th On Chestnut Street




ELDER MUSIC: L'Angélus

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

* * *

Langelus

L'ANGÉLUS is a family band, surnamed Rees, from Lafayette, Louisiana. There are four in the group, two sisters and two brothers. They are Katie who plays guitar, Paige on bass, John on drums and occasional piano and Stephen plays fiddle, accordion, saxophone, harmonica and anything else that needs playing.

Their music is Cajun with Irish roots and some rock and roll thrown in as well.

They all sing lead vocals, depending on the song, and because they are siblings, their harmonies are gorgeous. They started out performing with their mother Linda as Linda Lou and the Lucky Four. Mum occasionally joins them on stage these days.

If you check their vids on YouTube, and there are a lot of them, you’ll find that they really seem to be having a good time in all of them. That’s a nice change.

Langelus

Way back in the late forties, Professor Longhair recorded a song called Hey, Little Girl. A few years later, into the fifties, Zydeco accordion master Clifton Chenier performed the song as Ay-tete Fee.

The record company didn’t know what he was singing so Clifton did it again using his native New Orleans jive talk as Eh, tite Fille. Others, including our family, have sung it as Hey 'Tite Fille. STEPHEN sings this one.

♫ Hey 'Tite Fille


Langelus

Iko Iko is a traditional New Orleans song made popular by The Dixie Cups in 1965. It’s a song that’s had several law suits concerning its authorship and who owns the rights to the song. This is unfortunate, but not unexpected. Anyway, our family perform it live with PAIGE singing lead.

♫ Iko Iko


Langelus

Give a Little Bit is as close as L'Angélus get to a standard pop song with standard instrumentation – two guitars, bass, drums. Of course, they do it really well with STEPHEN singing lead.

♫ Give a Little Bit


Langelus

The group recorded an album of religious music as is their wont. I like the songs that are not in English as I don’t have to understand the words. I have the same attitude to opera; I much prefer those in Italian and French. I really don’t like opera in English.

Anyway, one of the songs from the album is called J'irai la Voir Un Jour, sung by PAIGE

♫ J'irai la Voir Un Jour


Langelus6

River Road was written by all members of the group. It’s another that comes close to a conventional pop song. It has in it the road to New Orleans, the Mississippi River, the Gulf wind and so on.

KATIE sings this one.

♫ River Road


Langelus14

Ça C'est Bon is another song written by all four members and it is also the name of their first album. It mixes Cajun style with some hard driving drumming, as well as some nice harmonies (that goes without saying, but I said it anyway). STEPHEN sings lead.

♫ Ça C'est Bon


Langelus12

JOHN steps forward, well actually, he sits forward as he’s still at the drum kit, with the Van Morrison classic Brown Eyed Girl.

♫ Brown Eyed Girl


Langelus19

It seems that our candle is alight, which is good so we can read by its flickering illumination. Of course, it sounds better in French. So, La Chandelle Est Allumée, sung by PAIGE.

♫ La Chandelle Est Allumée


Langelus18

Wait a Minute was written by Herb Pedersen and first appeared on the album “Old Train” by the bluegrass band The Seldom Scene. Herb recorded a terrific version himself on his first solo album (he’d previously been a member of The Dillards) called “Southwest”. In the version today, KATIE sings lead.

♫ Wait a Minute


Langelus10

Ponchatoula is a small town in Louisiana and during the American Civil War it was captured by the northern army, as was much of the state. The current demographics suggest to me that people would rather leave the town than return to it. However, there is no accounting for taste because apparently, our family, or at least PAIGE, is dead set on Goin' Back to Ponchatoula.

♫ Goin' Back To Ponchatoula


I’ll end with Cajun legend D.L. MENARD who joins our band to perform one of his songs.

DLMenard1

It’s a song D.L. wrote that L'Angélus have also recorded. Here is a version where they all got together in somebody’s back yard and really nailed it. The song is The Back Door.

♫ The Back Door


Langelus22



ELDER MUSIC: Classical Predilections 6

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

* * *

Here is some more music that has taken my fancy in recent times. Some I heard on the radio, others I played for my own enjoyment and thought I’d share it with you.

JOHANN FASCH was a German violinist and composer.

Fasch

Jo’s dad died when he was about 12 and the family moved in with his mother’s brother who was a clergyman. It was through him that young Jo became a choir boy and made the acquaintance of several composers who put him on the path to becoming a composer himself.

He wrote cantatas, concertos, symphonies and chamber music. Surprisingly, nothing he wrote was published during his lifetime. One such is his Concerto for two Oboes da caccia, two Violas, two Bassoons and Continuo in G major. The oboe da caccia was a hunting oboe.

I didn’t know that there was such a thing. It’s a bit deeper than the regular oboe and looks like this.

Oboe da caccia1

I’ll play the whole concerto as it’s quite short as was the way of things back then before Vivaldi, Telemann and Bach came along and changed all that.

♫ Fasch - Concerto for 2 Oboes da caccia 2 Violas 2 Bassoons and Continuo in G Major FaWV L_G11


The music of PHILIP GLASS tends to polarise people.

Philip Glass

Nobody seems to be ho hum about it – you usually love it or hate it. You can tell where I stand as I’m including him today. I especially like his piano music and I’ve included a piece today, his Etude No. 2. Listen with an open mind.

♫ Philip Glass - Etude 2


Continuing with contemporary music, ELENA KATS-CHERNIN is easily Australia’s finest living composer.

ElenaKats-Chernin

It might not induce you to listen to this when I say that the text of the piece is made up of mostly nonsense syllables sourced from Russian words to do with sea creatures; those words are then split up and used in reverse.

The composition was first heard at the opening ceremony of the Sydney Olympic Games. It’s performed today by Sally Whitwell playing piano and the Gondwana Voices, a Sydney young people’s choir. Here is Deep Sea Dreaming.

♫ Kats-Chernin - Deep Sea Dreaming


For a complete change of pace, I give you MAX BRUCH.

Max Bruch

Max was a German composer who has a couple of hundred compositions to his name, but is best known for his violin concertos which have become a staple on the concert circuit. That is especially so of his Violin Concerto No 1 in G Minor. Here is the third movement.

♫ Bruch - Violin Concerto No 1 (3)


MAURICE RAVEL is best known (and quite often only known) for Bolero.

Ravel

Like every composer, there’s more to him than a single composition. In 1904, the French musicologist Pierre Aubry was preparing a lecture on Greek folksongs. He enlisted the help of Greek-born fellow musicologist and critic Michel-Dimitri Calvocoressi to provide some examples. He, in turn, asked his friend Maurice to orchestrate some of the chosen songs.

One of those is Chanson des cueilleuses de lentisques (Song of the Pistachio Harvesters). It’s sung by the marvelous soprano SARA MACLIVER.

Sara Macliver

♫ Ravel - Chanson des cueilleuses de lentisques


NICOLA FRANCESCO HAYM was an Italian jack of all trades.

Haym

He went to London when he was in his early twenties and stayed there for the rest of his life. He took a job as a theatre manager and also wrote the words for operas by various composers, including Mr Handel.

Besides that he composed music of his own, was an artist and a literary editor who wrote about linguists, art, politics, poetry, geography, mathematics and astronomy.

Nic is the only composer I’ve come across who was a numismatist, being an expert on early Greek and Roman coins. He wrote several trio sonatas, one of which is the Trio Sonata No. 1 in D Minor, Op. 1. This is the fourth movement.

♫ Haym - Trio Sonata No. 1 in D Minor Op. 1 (4)


PYOTR TCHAIKOVSKY has a suite called “The Seasons”, a bit like Haydn, Vivaldi and others.

Tchaikovsky

This is a misnomer as it’s really just the months of the year. These are twelve solo piano compositions and are quite lovely, gentle pieces; a million miles away from his bombastic works. The one I’ve included is June. It’s played by Vladimir Ashkenazy.

♫ Tchaikovsky - The Seasons (June)


CAMILLE SAINT-SAËNS was a French composer, organist and pianist.

Saint-Saëns

He was a child prodigy and performed major works in concert before he was a teenager. He was a bit of a polymath as he excelled in philosophy, literature, Greek and Latin, mathematics, astronomy and archaeology.

Camille is probably best known for rather over the top works like the Organ Symphony (No. 3) and Danse Macabre.

His Cello Concerto No. 1 in A minor, Op. 33 is not in that mold; it’s a lot quieter than those. This is the second movement with Ha-Na Chang playing the cello.

♫ Saint-Saëns - Cello Concerto No. 1 in A Minor Op.33 (2)


There is an oratorio that GEORG HANDEL wrote three times.

Handel

Well, he revised it twice would be more accurate. The first time he wrote it in Italy and called it Il trionfo del Tempo e del Disinganno (The Triumph of Time and Disillusion). The next time was when he had moved to London and he called it Il trionfo del Tempo e della Verità (The Triumph of Time and Truth).

The third version was in English and just called The Triumph of Time and Truth. An aria from that is called “One Band Of Pleasures Keeps Watch Over My Thoughts”.

♫ Handel - One Band Of Pleasures Keeps Watch Over My Thoughts


I’ll end with FRANZ DANZI whose name might give away his origins. He was born in Germany to an Italian cello player.

Danzi

Franz took after his dad and took up the cello himself. He also wrote music and was a conductor of some note at the time. His compositions tended to favour chamber music – duos, quartets, quintets, septets and the like.

What we have today, however, is a bigger work. It’s the Concertante in B-flat major for flute, clarinet & orchestra, Op. 41, the first movement.

♫ Danzi - Sinfonia Concertante in B-flat major for flute clarinet & orchestra Op. 41 (1)




ELDER MUSIC: Felice and Boudleaux Bryant

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

* * *

Felice&BoudleauxBryant1

FELICE AND BOUDLEAUX BRYANT wrote several thousand songs, somewhere between three and seven, depending on who’s counting. Here are a few of them that you might recognise.

People of a certain age (that is, round about mine) tend to associate them with the Everly Brothers, as they wrote a bunch of songs for them, most of which were big sellers. There’ll be a few of those today.

The Oxford American Magazine summed up their writing style best...

”If you’re drawn to musicians who salvage their art from tragic romance, addiction, and other personal wreckage, you may as well turn elsewhere now.

“The lives and joint career of Felice and Boudleaux Bryant, Nashville’s first full-time, non-performing songwriters, offer few attractions for the rubbernecker. By all accounts, their 42-year marital and creative partnership was nearly idyllic, as Boudleaux acknowledged when asked to explain the optimism of many of their songs: 'I suppose it’s because we’ve had such a very wonderful relationship.'”

Felice said,

“'We started writing for the hell of it, for fun,' Boudleaux said, 'and after about 80 songs we thought, this looks like it could be a good thing. But we originally wrote them for our own amusement.'”

I’ll start, appropriately, with the EVERLY BROTHERS and one of their big hits.

EverlyBrothers13

As mentioned above, they wrote a lot for the Everlys, and this will not be the only song of theirs. It’s Wake Up Little Susie.

♫ Everly Brothers - Wake Up Little Susie


By 1960 there was a fad for teenage tragedy songs. Not just the teenagers (Tell Laura I love Her, Teen Angel and so on) but others as well (by Marty Robbins, Patti Page etc).

The Bryants wrote a song to send up this phenomenon, called Let’s Think About Living and BOB LUMAN was the singer who turned it into a considerable hit.

BobLuman5

Bob was from Texas and lived in some wonderfully named towns early on – he was born in Blackjack, grew up in Nacogdoches and went to high school in Kilgore. His father was a good amateur musician and encouraged young Bob.

His first band included the great guitarist James Burton, before he played with Ricky Nelson, Elvis, Emmylou Harris and anyone else who wanted the very best. Anyway, here’s Bob with the song.

♫ Bob Luman - Let's Think About Living


BUDDY HOLLY mostly performed his own songs.

BuddyHolly41

However, now and then he’d have a go at someone else’s. This one turned out to be quite a hit for Buddy, Raining in My Heart.

♫ Buddy Holly - Raining In My Heart


Here is our second dose of the EVERLY BROTHERS.

EverlyBrothers41

Their song is Sleepless Nights. This was also performed by the Flying Burrito Brothers, a group that contained Chris Hillman, founder member of The Byrds, and Gram Parsons, himself a member of The Byrds for a short time.

♫ Everly Brothers - Sleepless Nights


A few people have recorded the song, She Wears My Ring, but the version I like is by JOHNNY O'KEEFE.

JOK5

Johnny was the first and best of Australia’s early rock and rollers. He started out as a wild one (a song he wrote and recorded) but like many from that time, mellowed over the years.

This song is on the mellower end of his output, but it’s still evident he’s a rocker when you listen to his voice.

♫ Johnny O'Keefe - She Wears My Ring


Love Hurts was originally recorded by the Everly Brothers. It was later covered really well by Gram Parsons and Emmylou Harris. Emmy also did her own version, as have several other performers. One of those is LEO SAYER.

LeoSayer8

Leo was a bit of a chameleon, changing styles depending on what was popular at the time. However, he always brought a little extra to everything he performed. This one is a little heavy on the celestial choirs and strings but he does a good job.

♫ Leo Sayer - Love Hurts


Some more EVERLY BROTHERS.

EverlyBrothers4

It seems they were naughty and got banged up in the slammer. However, they don’t want Mary to know about this. It should become obvious to her when they don’t come home for quite some time, or ever, according to the song. Take a Message to Mary.

♫ Everly Brothers - Take a Message to Mary


When SUE THOMPSON had several hits in the early sixties - she sounded to us as if she were a teenager just starting out. We were wrong as she was was well into her thirties at the time.

SueThompson4

This isn’t one of the songs of hers I remember from then, but it was written by our pair today, so it’s included. The song is Have a Good Time.

♫ Sue Thompson - Have A Good Time


Doug Dillard, of The Dillards, and Gene Clark, from The Byrds, teamed up to record a couple of fine albums under the name DILLARD AND CLARK.

Dillard&Clark1

Doug was a virtuoso banjo player, which will be demonstrated on the song Rocky Top. Donna Washburn is also prominent singing along with them.

♫ Dillard & Clark - Rocky Top


Okay, it’s approaching the last dance of the evening, so grab your sweetie for that last dance. Here are the EVERLY BROTHERS to do the honors.

EverlyBrothers41

This is what we used to call a “clutcher hugger”, and we blokes really liked these. I don’t what the gals thought about them. The song is Devoted to You.

♫ Everly Brothers - Devoted to You


FELICE AND BOUDLEAUX may have claimed to be non-performing songwriters, but they did make a couple of albums, so we’ll finish with them.

Felice&BoudleauxBryant3

They’re better than they give themselves credit for as they demonstrate on All I Have to Do is Dream, originally a hit for (guess who?) the Everly Brothers.

Felice & Boudleaux Bryant - All I Have to Do is Dream




ELDER MUSIC: Singing with B.B.

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

* * *

B.B. King

Another in the occasional "Singing With" series, this time it's B.B. KING. He hasn't sung with as many people as Willie Nelson, who is present today, but he's up there.

I imagine that everyone here (and many more who didn't make the cut today) would have jumped at the chance to perform with the blues master. I hope you like blues and soul because that’s what you’re getting today - with occasional jazz and gospel influences.

The most appropriate place to start is with the song Playin' with my Friends. On this one B.B. has the help of ROBERT CRAY.

RobertCray&BB1

Robert is one of the newish breed of blues artist who bring elements of soul, rock, jazz and gospel into their playing. He’s an excellent guitarist and a pretty good singer as well. Here he is playin’ with B.B.

♫ Playin' with my friends


BONNIE RAITT is one of the foremost blues guitarists of her generation.

Bonnie&BB1

She’s also a fine singer and here she gets to demonstrate both skills with B.B. doing the same on Baby I Love You.

♫ Baby I Love You


Apart from B.B., JOHN LEE HOOKER was probably the last of that early generation who made the trek from the southern states to Chicago and plugged in their guitars (so they could be heard above the generally raucous crowds).

JohnLeeHooker&BB3

His style of singing and playing is quite the opposite of B.B.’s, but as with everyone today they work well together. The song is You Shook Me.

♫ You Shook Me


Michael Bloomfield and Eric Clapton (and some others) introduced B.B. to an earlier mainstream, mainly rock, audience. U2 performed the same function for the next generation of listeners.

U2&BB2

Instead of B.B. influencing U2 to play the blues, they turn the tables and turn B.B. into a rocker with When Love Comes to Town.

♫ When Love Comes to Town


DIANE SCHUUR is a jazz singer and pianist.

DianeSchuur&BB3

She’s performed with many artists over the years, including Frank Sinatra, Ray Charles, Stevie Wonder, Stan Getz, Alison Krause and many others. Today it’s B.B.’s turn. The song they perform is Spirit in the Dark. They sure get the spirit on this one.

♫ Spirit in the Dark


After that song, we all need to sit down and rest a while. To help us calm down we have WILLIE NELSON singing and playing with B.B.

Willie&BB4

We have two distinctive guitarists on this one, maybe the two most distinctive who have ever recorded. No one would mistake either of their playing for anyone else.

The same with their singing. The song they perform is Night Life, a song Willie wrote. Due to his straitened circumstances at the time, he had to sell the rights for a pittance, and it’s often credited to others, but it is Willie’s.

♫ Night Life


The song Hummingbird was written by Leon Russell, and he did a fine version of it. Around the same time, B.B. recorded it on his “Indianola Mississippi Seeds” album. Today he has the help of DIONNE WARWICK to sing it.

DionneWarwick17

This version is the equal of the previous two I mentioned. Maybe it’s the song – there are some songs where there is no bad version. This could be one of them.

♫ Hummingbird


Mac Rebennack, better known to most of us as DR JOHN, died recently.

DrJohn&BB1

Mac (or John or Doc or whomever) was another who liked performing with other people, so he’s a good fit in the column today. His style is quintessentially New Orleans, where he was born and bred. Of course, that includes a big dollop of the blues.

They perform There Must Be a Better World Somewhere. Unfortunately or fortunately, this world is all we have.

♫ There Must Be A Better World Somewhere


When I say that ERIC CLAPTON is up next, I imagine you'd expect a great blues jam with B.B., however, you'd be wrong.

Eric&BB2

Eric and B.B. recorded an album together called "Riding With The King" where they performed in all sorts of styles. The track I've chosen is the old standard Come Rain or Come Shine, not what you'd expect from these two. Of course, they turn it into a blues song.

Come Rain or Come Shine


Although he didn’t write it, The Thrill Is Gone became B.B.’s signature tune. He performed it in pretty much every concert he gave during the last several decades of his life. It has appeared on many albums, including “Deuces Wild” where he performed with a bunch of artists and is a valuable source of material today. One of those performers is TRACY CHAPMAN.

TracyChapman&BB1

Tracy first came to my notice with her terrific song, Fast Car, from the late eighties. She and B.B. do a great job with the song – it’d be hard not to.

The Thrill Is Gone


I’ll end with one of B.B.’s friends BOBBY BLAND.

BobbyBland&BB6

B.B. and Bobby often performed together and also made several records, both studio and “live” records. From one of the latter, a most appropriate song: Let the Good Times Roll.

♫ Let the Good Times Roll




ELDER MUSIC: Goffin and King

Goffin & King

GERRY GOFFIN AND CAROLE KING were one of the most successful song writing teams of the fifties and sixties. They managed to get more than 100 of their songs on the Billboard Top 100, which isn’t a bad effort in anyone’s language.

Carol Klein went to school with (later) fellow songwriter Neil Sedaka. They were a bit of an item for a while and he wrote his first hit, Oh Carol for her. Later she wrote an amusing answer song called, Oh Neil.

She began using the nom de plume Carole King and met budding songwriter Gerry Goffin in college. They started writing songs together and were soon married and became fixtures at the famous Brill Building, song-writing central in New York at the time. These are just a few of their songs, some of which I was surprised that they wrote.

THE BYRDS performed two Goffin and King songs on their album “The Notorious Byrd Brothers”.

Byrds

Both songs appear today, the second below by a different artist. When you talk about rock and roll harmony singing, there’s none better than The Byrds. This is a prime example, Goin' Back.

♫ The Byrds - Goin' Back


THE SHIRELLES don’t seem to be spoken of in the same league as The Supremes and The Ronettes, which is a real shame as I think they are up there with the best.

Shirelles

Apparently they had several hits before I noticed them with the song we have today. Will You Love Me Tomorrow reached number 1 pretty much everywhere that had hit parades.

It was ranked as the number 1 song of 1962. As a trivial aside, the flip side of the record was the song Boys, recorded by The Beatles a couple of years later.

♫ Shirelles - Will You Love Me Tomorrow


GENE MCDANIELS was a jazz singer who became successful singing a bunch of non-jazz songs.

Gene McDaniels

I didn’t know this at the time; I just thought he was a terrific singer. I hope his success meant that he was set up so he could do what he wanted to do. Getting back to those pop songs that hit the top of the charts, one of them was Point of No Return, written by our couple today, of course.

♫ Gene McDaniels - Point of No Return


I can’t think of any group from the late fifties, early sixties who were as good as THE DRIFTERS.

Drifters

Particularly during the rather short period when Ben E. King was singing lead for them, and incidentally writing songs for which he didn’t receive credit. They sang our couple’s songs as well, one of which is Up on the Roof.

♫ Drifters - Up On The Roof


Here is the other song, mentioned above, that was performed by The Byrds. I have to admit that I prefer The Byrds’ version, but DUSTY SPRINGFIELD does it pretty well too.

Dusty Springfield

Dusty was born Mary O’Brien and she first came to my notice as part of a folk group with her brother Dionysius O’Brien, who took the name Tom Springfield. They were joined by Tim Field initially, and later Mike Hurst and called themselves The Springfields. Dusty left and became a successful solo artist. One of her songs from that career is Wasn't Born to Follow.

♫ Dusty Springfield - Wasn't Born To Follow


BOBBY VEE was the recipient of quite a few of Gerry and Carole’s songs.

Bobby Vee

Bobby has always been lumped in with the early sixties pretty boy singers who were created by opportunistic record companies. I think he has more substance than he’s been given credit for. He mostly didn’t write his songs, but he was an astute chooser of them. One such is Take Good Care Of My Baby, a big hit for him.

♫ Bobby Vee - Take Good Care Of My Baby


Eva Boyd was a babysitter for Gerry and Carole. They had seen her dancing around and singing while performing her tasks and wrote a song for her. Friends of theirs said that was a really bad idea because while good singers are rather easy to come by, good babysitters are worth their weight in gold.

In spite of this advice, they went ahead anyway. The song was The Loco-Motion, and Eva recorded it under the name LITTLE EVA.

Little Eva

The song was later also recorded by Kylie Minogue, but Eva’s version is far superior to Kylie’s. Sorry Kylie.

♫ Little Eva - The Loco-Motion


Even when this next song was around, I thought that it was a bit creepy. After all these years I haven’t changed my opinion. You may be surprised to learn that the singer is STEVE LAWRENCE.

Steve Lawrence

Yes, he of Steve and Eydie fame. The song is Go Away Little Girl which sounds pretty good until you listen to the words. It was first recorded by Bobby Vee, which would make it slightly less creepy. Donny Osmond had a go at it later too. He’d have been about the right age.

♫ Steve Lawrence - Go Away Little Girl


Perhaps the song of which Carole and Gerry are most proud is (You Make Me Feel Like) A Natural Woman. That’s almost certainly because ARETHA FRANKLIN recorded it.

Aretha Franklin

Aretha nailed it and turned it into one of the finest records of the twentieth century. Nothing more needs to be said, here it is.

♫ Aretha Franklin - (You Make Me Feel Like) A Natural Woman


THE MONKEES don’t get any respect from critics of popular music.

Monkees

We know they were created by nefarious TV executives to cash in on the success of The Beatles. However, at least three of them were good musicians before they came together. They grew in that role to become quite a decent band in their own right.

Before that happened, they were given songs to perform from established song writers. One of those from our couple is Pleasant Valley Sunday.

♫ Monkees - Pleasant Valley Sunday


I imagine that pretty much everyone reading this knows that CAROLE KING herself recorded an album called “Tapestry”.

Carole King

This was hugely successful, one of the biggest selling albums of all time. Possibly as a result of that, she went on to have a career as a singer/songwriter (she and Gerry were divorced by then). However, before that, way back in 1962, she recorded a song that became a big hit for her.

Again, Bobby Vee first recorded it, and the record company was a bit dubious about releasing Carole’s version as she only recorded it as a demo for other artists. Don Kirshner (later producer of The Monkees) really liked it and had it released. The song is It Might As Well Rain Until September.

♫ Carole King - It Might As Well Rain Until September




Classical Predilections 5

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

* * *

Here is some more interesting and entertaining music.

MARIE JAËLL was born Marie Trautmann in Alsace and learned the piano when she was six.

Jaell Marie

She was only ten when she was admitted to the Paris Conservatory and within months she won first prize for piano. At 20 she married Alfred Jaëll, once a pupil of Chopin, and they performed together throughout Europe and Russia.

Marie also started writing music and getting it published. Her compositions weren’t just for piano, but covered the full range of music. An example of this is the third movement of her Concerto for Cello and Orchestra in F Major.

♫ Jaëll - Concerto for cello and orchestra in F Major (3)


I’m not a fan of FRANZ LISZT’s rather bombastic compositions, which seems to be most of them as far as I’m concerned.

Liszt

Check that picture, talk about the original rock star. Getting back to what I was saying, every now and then he came up with a beautiful, lyric piece and I have one of those today. It is Au lac de Wallenstadt (At Wallenstadt Lake). The pianist is Lazar Berman.

♫ Liszt - Au lac de Wallenstadt


NICOLÒ CORRADINI was an Italian composer of the early Baroque era.

Corradini

Not a great deal is known about him except that he was the organist of the Cremona Cathedral. He later became a Kapellmeister to a local noble who liked to put on music around town.

Nic wrote music suited to the times, mostly religious. What we have today is a motet called Spargite flores. It’s performed by BRUCE DICKEY, who plays the cornetto, which I know of as an ice cream, but in this context is an instrument totally unrelated to the modern cornet, as you’ll see below. Along for the ride is the soprano HANA BLAŽÍKOVÁ.

Bruce Dickey & Hana Blažíková5

Corradini - Spargite flores


FRIEDRICH KALKBRENNER was born in a carriage traveling between Kassel and Berlin and because of that it caused all sorts of problems registering his birth.

Kalkbrenner

But born he was. In spite of being German, he attended the Paris Conservatoire, and spent the rest of his life in France, mostly in Paris (well, who wouldn’t?) Although living mostly in the nineteenth century, he thought of himself as a throwback to the days of Haydn and Mozart, and he composed in the classical style, rather than the rather bombastic (to my ears) romantic that was the vogue at the time.

Besides being a composer, he was a teacher of piano and he made them as well. Getting back to his compositions, here is the third movement of the Piano Sextet in G major, Op. 58.

Kalkbrenner - Piano Sextet in G major Op. 58 (3)


IGNAZIO ALBERTINI lived in the middle of the seventeenth century. Iggy doesn’t seem to have stood still long enough to have his photo taken.

As far as we know he was born in Milan but the first real mention of him was in Vienna. It was in this city that he spent the rest of his life, all 41 years of it, as he was murdered in suspicious circumstances (stabbed by persons unknown).

All that’s known of his music is a collection of twelve sonatas for violin. This is one of them, his Sonata for Violin & Bass continuo in F major.

♫ Albertini - Sonata for violin & bass continuo


FLORENCE PRICE was born Florence Smith in Little Rock, Arkansas in 1887.

Price Florence

She was taught piano at a very young age and gave her first performance when she was only four and was publishing music when she was eleven. She was head of the music department at an Atlanta university where she married Thomas Price and they moved back to Little Rock.

After a number of nasty racial incidents in that city they decided to move to Chicago. After her divorce from Tom, Florence made ends meet by playing for silent films. She later won (monetary) prizes for some of her compositions, which helped a bit.

Florence was the first African-American woman to have a symphony performed by a major orchestra. A lot of her compositions were thought lost, but a large number have been found in an abandoned house in Illinois. One of those is Tropical Moon, from a series called “Dances in the Canebrakes.”

♫ Florence Price - Dances in the Canebrakes II. Tropical noon


Very little is known about NICOLA FIORENZA, who was from Naples.

Fiorenza Nicola

He was a cellist in the Neapolitan Royal Chapel Orchestra. Later he was up for a job as the head of the string section at the local conservatory. There were four in the running and they drew lots. Nic won.

It seems that he wasn’t the best teacher around – he used to beat his students and otherwise mistreat them – so he was eventually fired from that position. Only about 30 of his compositions are known to exist. One of those is his Cello Concerto in B-flat major. This is the second movement.

♫ Fiorenza - Cello Concerto in B-flat major (2)


GEORGES BIZET is best known for his operas (Pearl Fishers, Carmen and so on).

Bizet

However, that’s not all he wrote – there were symphonies, many compositions for piano, vocal works and so on. Here is the third movement of his Symphony in C. I must admit that it does sound as if it wouldn’t be out of place in an opera.

♫ Bizet - Symphony In C (3)


CHRISTOPH GLUCK was a German composer who specialized in French and Italian operas.

Gluck

Chris spent some time at university in Prague, but for a while after that he seemed to have vanished until he popped up in Vienna some years later. He traveled quite extensively: Italy, London, back to Prague and Paris.

He made radical changes to the prevalent opera style of the time – sort of left over from its Baroque origins – and turned it into the now familiar style. He spent some considerable time in Paris, but spat the dummy and returned to Vienna, where he remained for the rest of his life, when one of his operas received a poor reception.

From his most famous opera, Orfeo ed Euridice, Wq. 30, from Act 3 we have Orfeo singing “Che farò senza Euridice.” This is performed by countertenor PHILIPPE JAROUSSKY.

Philippe Jaroussky

♫ Gluck - Orfeo ed Euridice Wq. 30 Act 3 Che farò senza Euridice (Philippe Jaroussky)


JOSEPH EYBLER was born in Schwechat, which is near Vienna.

Eybler

His dad was in the music biz and the family was good friends with the Haydn family, indeed they were distantly related. It was through Joseph Haydn that he was introduced to Mozart, another of Haydn’s friends.

They got along famously, such that he was (eventually) asked by Mozart’s widow to complete Mozart’s unfinished Requiem. He thought that task was beyond him, but he did conduct that work (finished by Franz Sussmayr) some years later.

Alas, he suffered a stroke while he was doing that, but lived for another 13 years. He wrote about 250 works, one of which is the Clarinet Concerto in B-flat major, this is the third movement.

Eybler - Clarinet Concerto in B-flat major (3)




ELDER MUSIC: The Kinks

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

* * *

Kinks

After The Beatles, The Kinks were probably the most important British band from the sixties. Like the Fab Four, they vastly expanded the topics about which pop and rock song could be written.

They were formed by brothers Ray and Dave Davies in Muswell Hill, North London. Ray was the songwriter, singer and rhythm guitarist and Dave played lead guitar and sang backup.

They were completely different personalities: Ray was a quiet intellectual who preferred the home life, and Dave was the quintessential sixties, rock-star party animal. What could possibly go wrong?

They were joined by Pete Quaiffe, a school friend of Dave’s on bass, and Mick Avory on drums. They were a volatile mix, especially the brothers, often arguing and fighting – even on stage. Pete has said that performing with the brothers was like being on stage with Jimi Hendrix on one side and Noel Coward on the other.

Ray and Dave were constants throughout with changes in the other members from time to time. They later added a regular keyboard player.

Kinks

The Kinks burst on the scene with a song that contained snarling vocals and snarling, dirty, distorted guitar achieved by slashing the speaker cones with a razor blade. This one made all the other bands at the time sit up and take notice. Its influence on punk, grunge music, heavy metal and garage bands of all sorts is incalculable. That song is You Really Got Me.

♫ You Really Got Me


Kinks

After three or four top 5 hits in the original style, the Kinks completely changed direction in their music. This is because of Ray’s song writing ability. The songs became more observational, many of them mini-short stories in song form. Some biting or sarcastic, some affectionate, others merely reflections. One rather pointed song is Dedicated Follower of Fashion.

♫ Dedicated Follower Of Fashion


Ray has said that he was really depressed when he wrote Sunny Afternoon, on the surface a quite happy song. Not so if you listen to the words.

It gave the impression that the group was really rich and they were complaining about trivial things. The reality was quite different as, along with a lot of performers of the time, their managers ripped them off so they saw virtually nothing of what they had earned.

♫ Sunny Afternoon


Ray’s songs aren’t nostalgia exactly, more a celebration of times gone by and things that are lost to the modern world. Picture Book really is a photo album, but I imagine that the title scans better in a song.

♫ The Kinks - Picture Book


Kinks

The Kinks came up with a couple of what would later be called “rock operas” some time before The Who did the same thing. One of these is called “Arthur (Or the Decline and Fall of the British Empire)”, which is rather self explanatory about its subject.

From that is the song, and a reasonable hit for them, Victoria. This one really rocks out, in spite of its subject.

♫ Victoria


Kinks

Sorry about going back to the beginning for those who aren’t really into heavy rock and roll, but here’s their second hit, All Day and All of the Night. I can see an influence for the Oz rock band The Easybeats in this song.

♫ All Day And All Of the Night


Kinks

It’s pretty amazing that the band that had a huge influence on punk and grunge music also produced indubitably the most beautiful song from the sixties. Certainly the most beautiful by a rock group anyway. That song is Waterloo Sunset.

There’s a long-standing story that Terry and Julie, referenced in the song, are Terence Stamp and Julie Christie who were an item at the time the song was written and recorded. Ray has said repeatedly that this is not so, it’s about his sister (and presumably another Terry).

He and Dave had six older sisters some of whom have made an appearance in other songs, so I’m inclined to believe him.

♫ Waterloo Sunset


This is just a silly throw-away song, but we need some of those now and again. This one is Apeman. I think it was just an excuse for Ray to play his National steel guitar, also used in the final song today.

♫ Apeman


Kinks

It’s really admirable, astonishing really, that for young men, just in their mid-twenties, to observe that things were changing really quickly and asking are we losing something valuable?

Well, they might notice the first part, but it was unusual for them to reflect upon the second. It’s generally years later that people gain that insight. There was an album (actually more than one) devoted to this concept, and from that we have The Village Green Preservation Society.

♫ The Village Green Preservation Society


Kinks

Also from “Arthur”, mentioned above, is the song. Australia. You know I couldn’t resist a song with that title. It’s about the Oz government’s campaign to induce British people to emigrate to Australia back in the fifties and sixties. It was rather successful. This one gives Dave a good workout on the guitar.

♫ Australia


Kinks

Ray wrote Come Dancing as a tribute to his sisters who were all older than he was. They used to go out dancing at the weekends and the music they danced to was from an earlier period – big band and the like. He and Dave absorbed that music as they were growing up by listening to their sisters’ records.

♫ Come Dancing


Kinks

I’ll end with an example of the idea that songwriters often don’t know the quality of their own songs. This one is probably their biggest seller (okay, that’s not necessarily a guide to quality), and Ray has said, “It’s a nothing song, not really important”.

The song is Lola. It’s based on a real event that happened to their manager at the time. Dave has said that Ray is brilliant at compressing small details into a song and making them come alive. He certainly did on this one.

♫ Kinks - Lola


Kinks




ELDER MUSIC: Earworms 2

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

* * *

My first column on earworms was really historic in nature – they were songs that have plagued me for some considerable time, more than 50 years in some cases.

Today's column is about new earworms. These are songs that got stuck in my brain while I was searching for music for various columns. The criterion is that they are not songs that hung around for a day or two, all these tormented me for at least a week.

Although they are recent additions, some of these go back quite a ways as well; I was just reminded of them during my searches. As with the previous column, I hope that because there are quite a few of them they'll cancel each other out. I'm not too sanguine about that. So, I've had to suffer all these and now it's your turn.

It’s not simple or dumb songs that fit the criterion. Ondeed, today’s list are made up mostly of good songs, starting with HALL AND OATES.

Hall & Oates

A couple of their songs could fit in this category, but the one that impacted on me in this regard is Rich Girl.

♫ Hall & Oates - Rich Girl


JERRY ORBACH started his show biz career as a song and dance man. He also played baddies quite a bit on television.

Jerry Orbach

In his earlier incarnation he played the lead in the original staging of the musical play "The Fantasticks", often considered the longest running musical in history.

Jerry sang the musical's most famous song, Try to Remember. This is a gentle earworm I’ve featured before in these columns.

♫ Jerry Orbach - Try to Remember


THE DIXIE CUPS were sitting around the recording studio one day between takes of whichever song they were recording. They began singing a song one of their grandmothers used to sing. The recording engineer let the tape roll and with a bit of tweaking, they had their biggest hit.

Dixie Cups

That song, and I’m sorry to inflict it on you, is Iko Iko.

♫ The Dixie Cups - Iko Iko


Another female trio from around the same time is THE TOYS.

The Toys

They had one big hit that impacted on my brain, and it’s this one. It’s based on a minuet by classical composer Christian Petzold (not J.S. Bach as is often contended). The song is A Lover's Concerto.

♫ Toys - A Lover's Concerto


It’s best not to listen too closely to the words of Adam and Eve by BUZZ CASON.

Buzz Cason

They are problematic on several counts. The song is really jaunty though and I’ve been singing the chorus for about 50 years now, not continuously I hasten to add. I’ll play the song and leave it up to you.

♫ Buzz Cason - Adam & Eve


IAN AND SYLVIA started out as a folk duo and eventually evolved into a full tilt rock band (Great Speckled Bird).

Ian and Sylvia

Some time towards the end of that process they recorded an album in Nashville called (surprise, surprise) “Nashville”. It didn’t get very good revues but I really liked it. One of the songs from it is The Renegade. Boy, this one stays with me for a long time whenever I hear it.

♫ Ian & Sylvia - The Renegade


We’ll stay in Canada with GORDON LIGHTFOOT.

Gordon Lightfoot

There are a number of songs of Gordie’s that remain in my brain, but for some reason this one seems to be the most insidious of his. It’s nowhere near my favorite, but it stays there for weeks at a time. Christian Island.

♫ Gordon Lightfoot - Christian Island


One of the finest bands from Texas, and one who have made a career of performing western swing music, is ASLEEP AT THE WHEEL.

Asleep At The Wheel

There’s an album of theirs that I really like a lot. It’s called “The Wheel”. All the songs on it are worth a listen, just be prepared for I Can't Handle It Now, because it’ll stay with you for long time.

♫ Asleep at the Wheel - I Can't Handle It Now


It's not only songs that are earwormy, tunes can be as well. In that case I go along singing dah dah dah dah dah dah dah (and so on). In this case I’m talking about a tune from “CAROUSEL”, indeed The Carousel Waltz. This will keep your dah dah dahs going for a long time.

♫ The Carousel Waltz


THE EAGLES sure could write memorable songs.

The Eagles

It’s not too surprising that one of those would appear here today. The one I have in mind is Take It Easy, written by Glenn Frey and Jackson Browne.

♫ The Eagles - Take It Easy


This one is really historic. I hadn’t heard it for decades when I discovered it for one of my “Years” columns. That proved to be unfortunate as it’s by far the most earwormy song today, at least for me. I haven’t really managed to erase it since then. The song is performed by the FOUR KNIGHTS.

The Four Knights

The song is I Get So Lonely. You have been warned.

♫ 4 Knights - I Get So Lonely


THE BEATLES certainly wrote catchy tunes, but only one of theirs makes it to earworm status, for me anyway.

The Beatles

It’s not even a song, more a songlet, and on the “Abbey Road” album it was joined to other songlets, which is what we have today. Golden Slumbers, Carry That Weight and The End. I find the Golden Slumbers bit is the earwormy section, although the other bits hold their own as well.

♫ The Beatles - Golden Slumbers (etc)




ELDER MUSIC: Bobby Darin

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

* * *

BOBBY DARIN changed a lot during his singing career – starting out as a rock & roller, then to a big band singer, a Sinatra wannabe, a jazz singer, a folk singer and blues performer.

I don’t think there are many of us who liked all aspects of his output, but I could be wrong. We’ll see today as that’s what I’m doing, at least to a degree. I prefer his early work.

Bobby’s folks knew him as Walden Robert Cassotto and he was from the Bronx.

Always in rather fragile health, he was motivated to succeed before he turned up his toes which happened at the too young age of 37.

Bobby started as a Brill Building writer, especially for Connie Francis, with whom he was romantically attached until her rather strict father ran him off with a gun. Connie has said that he was the love of her life.

He later married Sandra Dee, no accounting for taste. He also had a songwriting partnership with Don Kirshner, who was later responsible for the formation of The Monkees.

Bobby mentored such diverse talents as Richard Pryor, Flip Wilson, Wayne Newton and Jim (later Roger) McGuinn from The Byrds.

Bobby Darin

BOBBY wrote the song, Splish Splash, as a bet with the disk jockey, Murray the K. The bet was that he couldn’t write a song that began with the words "Splish Splash, I was takin' a bath". He not only could, he took it to the top of the charts.

♫ Splish Splash


Bobby Darin

Beyond the Sea was based on a song called La Mer, written and performed by Charles Trenet. They kept the tune and put English words to it, words that bore no resemblance to the original.

I think La Mer is the superior song, but Beyond the Sea isn’t bad, especially if you don’t have the original around with which to compare it.

♫ Beyond The Sea


Bobby Darin

The song Multiplication made the charts in 1961. It was from an album called “Twist with Bobby Darin”. Groan.

♫ Multiplication


Bobby Darin

I don’t know if it’s a coincidence or not, but in 1962 Leroy Van Dyke had a hit with the song If a Woman Answers. In that same year, really about the same time, BOBBY had one as well with If a Man Answers. Got everything covered there.

♫ If A Man Answers


Bobby Darin

Now we’re getting to some quality stuff. John Coltrane and Johnny Hartman did a wonderful version of the song Softly, as in a Morning Sunrise. BOBBY’s version is nowhere near as good as that one (nor is anyone else’s), but it’s not too bad.

♫ Softly As In A Morning Sunrise


Bobby Darin

One of his finest of the fifties’ songs is Dream Lover. It’s a song he wrote himself and was recorded at Atlantic Records, a company that knew how to get the best out of their artists. As a trivial aside, that’s Neil Sedaka playing the piano.

♫ Dream Lover


Bobby Darin

Bobby’s version of Mack the Knife is based vaguely on Louis Armstrong’s earlier hit. Both bear little resemblance to the original version from Kurt Weill’s “Threepenny Opera”. It doesn’t matter too much as they both earned a tidy amount for themselves.

♫ Mack The Knife


Bobby Darin

Back to the rather silly songs, this one from the early sixties, although it sounds as if it should be earlier. The song I’m talking about is Things, another he wrote himself. I could have done without the female singers on this one; it would have been better without them but that was the way to do things back then I suppose.

♫ Things


Bobby Darin

Black Coffee is an old song that he recorded on an album called “This is Darin” in 1960. It sounds as if it came from much later in his career, so I guess he was already thinking of a change of style.

♫ Black Coffee


Bobby Darin

During his folk period, BOBBY recorded several of Tim Hardin’s songs. Interestingly, the highest charting song Tim had was with a Bobby Darin song, in spite of the many terrific songs he wrote himself.

Anyway, I’m not using the obvious one, instead here is The Lady Came From Baltimore. He sounds rather like Tim on this one.

♫ The Lady Came From Baltimore


Bobby Darin

As well as Tim, BOBBY took a song from another singer/songwriter, in this case it was John Sebastian. The song is Darling Be Home Soon, which has been covered extensively over the years. It’s a good song on which to end.

♫ Darling Be Home Soon




ELDER MUSIC: Classical - The Usual Suspects

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

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In my general classical columns, I tend to feature lesser known composers who really need to be better known rather than those whose music fills the concert halls all over the world. Today it’s the turn of the big names.

I imagine you know all of these composers, they’re well known because their music is wonderful. Choosing something to include for each will be a tough, but fun, exercise. I’m particularly fond of quartets of various kinds, and several will be featured today.

I’ll start with the most famous composer in history, LUDWIG BEETHOVEN.

Beethoven

There are a lot of his works I could have included, but the one I settled for is the Rondo for Piano and Orchestra. I really like this one.

Ludwig had intended it as the final movement for his Piano Concerto No. 2 but he decided it didn’t fit so he removed it from that composition. It eventually surfaced as a stand-alone piece, the Rondo for piano and orchestra in B flat major.

♫ Beethoven - Rondo for piano and orchestra


Had I been doing this column 50 years ago, certainly one hundred, you’d have all gone “Who?” when I mention ANTONIO VIVALDI.

Vivaldi

That’s because most of his works were thought lost but vast amounts of it were rediscovered in the 20th century, and mostly the second half of that.

New (to us) compositions are still being found. If you live in Venice, check your attics, cupboards, trunks and whatnot; elsewhere as well – he moved around a bit. You never know.

Anyway, rather than use one of his instrumental works, I’ll go with some singing. The singer is the terrific CECILIA BARTOLI.

Cecilia

She performs Anch'il mar par che sommerga.

♫ Vivaldi - Anch'il mar par che sommerga


I really like the music of JOSEPH HAYDN.

Haydn

To my mind he’s up there with the more famous Mozart, Beethoven and Bach. Like them, he was an innovator, inventing the string quartet and (sort of) the symphony. Okay, that had been around before but he expanded it into the major form that we have today.

I’m not going with either of those, though. Today it’s his Sinfonia Concertante for Violin, Oboe, Cello and Bassoon Hob I-105, the first movement.

♫ Haydn - Sinfonia Concertante In B-Flat Hob I-105 (1)


The concertos of JOHANN SEBASTIAN BACH have been tinkered with over the years; different instruments have been substituted for the original ones. Even Jo himself did that.

Bach-JS

I’m going to do the same. Okay, I’m not that clever, I’m going to include a version that has had that treatment. In this case it’s his Concerto for Violin and Oboe in C minor, BWV1060R.

The violin and oboe got the flick and two guitars have taken their place. The guitarists are probably the best around at the moment, SLAVA AND LEONARD GRIGORYAN.

Slava & ;Leonard Grigoryan

The tinkerer is their father, who also knows a bit about this sort of music. This is the third movement.

♫ Bach - Concerto for Violin and Oboe in C minor BWV1060R (3)


FELIX MENDELSSOHN always contended that his sister Fanny was a better composer than he was.

Mendelssohn

That’s a big call, as he was one of the best. The more we hear of Fanny’s work, the more credence can be given to his opinion; however, so far, it’s her brother whose works are performed regularly.

I don’t know if this is one of those regular ones, but I like it. It’s the Piano Quartet No. 1, the fourth movement.

♫ Mendelssohn - Piano Quartet No. 1 C Minor (4)


My first opera composer is GIACOMO PUCCINI, my favorite (along with Mozart) opera composer.

Puccini

I have changed my mind about what to include half a dozen times. Finally, Norma, the Assistant Musicologist, insisted on the piece of music that I (sorry, we) finally settled on.

It’s not from one of Gia’s best known operas; they were the ones I had originally considered before I was overruled. The opera is “Il Tabarro”, and it’s quite a short opera – it doesn’t even top an hour. Wagner should take note and learn a thing or two.

The singers are Renata Tebaldi and Mario Del Monaco. The duet is È Ben Altro Il Mio Sogno.

♫ Puccini - Il tabarro ~ È Ben Altro Il Mio Sogno


WOLFGANG MOZART was a fine writer of music for the clarinet; probably the best ever.

Mozart

His clarinet concerto is, in my opinion, the finest piece of music anyone has composed. I’ve used that several times over the years, so I’ll go with something else. The first movement of his Clarinet Quartet, K. 317d in B Flat Major.

♫ Mozart - Clarinet Quartet K. 317d in B Flat Major (1)


Franz Liszt and FRÉDÉRIC CHOPIN were the big names in piano music in the 19th century.

Chopin

I much prefer Fred to Franz as the latter was too bombastic and over the top for my taste. Fred was born in Poland but spent the second half of his life in France. It’s surprising to me that for all that time in France he only gave 30 public performances (unlike Franz who would tinkle the ivories at the drop of a hat).

So, people at the time had to learn about Fred’s music via sheet music. Luckily for us there are lots of pianists who like to play his music. Here is a little bit of it, his Nocturne, Op. 9 No. 1 in B flat minor, a lovely gentle piece.

♫ Chopin - Nocturne Op. 9 No. 1 in B flat minor


MR HANDEL was better known to his friends as Georg.

Handel

His countryman George of Hanover, who had hightailed to Britain to become George One of that country, invited him over. George made Georg a citizen and then promptly died. His son, George Two, was also a friend and Georg wrote lots of music for him, for which he was paid royally (so to speak).

A lot of that was vocal music, but Georg wrote lots of instrumental stuff as well, including the Trio Sonata No 1 in B Flat Major for two oboes and continuo. This is the third movement.

♫ Handel - Trio Sonata No 1 B flat Major (3)


GIUSEPPE VERDI was a terrific writer of music for choruses and several voices.

Verdi

Norma, the Assistant Musicologist is particularly fond of these, so I played the contenders for the column and let her pick the one to include. After a bit of to’ing and fro’ing she settled on a piece from Nabucco: Io t´amava! Una furia è quest´ amore.

This is sung by Renata Scotto, Elena Obraztsova and Veriano Luchetti.

♫ Verdi - Nabucco ~ Io t´amava! Una furia è quest´ amore...


I don’t know if FRANZ SCHUBERT lived fast, but he certainly died young – just 31.

Schubert

There is a lot of music I could have included – symphonies (finished and unfinished), quintets (and other chamber music), songs (or lieder as they are pretentiously called), lots of operas that don’t get performed any more. A lot more I could have added to the list.

In the end I’ve chosen an interesting combination of instruments, his Quartet for Flute, Guitar, Viola and Cello in G Major, D96. The first movement.

♫ Schubert - Quartet for Flute Guitar Viola and Cello in G Major D96 (1)


GUSTAV MAHLER has only been in the repertoire of most orchestras for the last few decades, but what an impact he’s made. Gus is probably the most performed composer at the moment.

Mahler

His symphonies are long, really long; they make Beethoven’s seem like miniatures. That is, except for number 4, which, maybe coincidentally, is my favorite of his.

Like Beethoven’s ninth, this one has a vocal final movement but unlike Ludwig’s, it’s by a single soprano, not a choir. In the version I have today RENÉE FLEMING is that soprano.

Renee Fleming

So, here’s that movement of Gus’s Symphony No.4 in G.

♫ Mahler - Symphony No.4 In G (4)




ELDER MUSIC: 1923

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

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We’re now getting back before any of us can remember, and I imagine before any readers were born – if I’m wrong on that, please leave a message in the comments. So, I can waffle on and nobody can contradict me. Well, they can, but not from personal experience. So, on with the motley.

JELLY-ROLL MORTON (or Ferdinand LaMothe to his mum and dad) was really up himself (as we say here in Oz).

Jelly Roll Morton

He claimed to have invented jazz much to the derision of others at the time (and since). He was jazz pianist, band-leader and composer and was the first to publish a jazz composition.

He showed that the essentially improvised music could be notated without losing its verve and spirit. We’ll just glide over that “invented jazz” business and hear what he does with Kansas City Stomps.

♫ Jelly Roll Morton - Kansas City Stomps


CLARA BUTT was an English contralto who specialised in (then) contemporary composers like Elgar and Saint-Saëns.

Clara Butt

She also made records of popular music as well as her classical repertoire. One of those is the song Love's Old Sweet Song, these days better known as Just a Song at Twilight.

♫ Clara Butt - Love's Old Sweet Song (1923)


JOHN STEEL was an American tenor who appeared in the Ziegfeld Follies several times.

John Steel

He was a regular performer on Broadway and on the vaudeville circuit. In spite of earning vast amounts of money (for the time), he went broke and finished his life as a singing instructor. He performs one of his hits, Lady of the Evening.

♫ John Steel - Lady of the Evening


Over the years, many people have had a go at the song That Old Gang of Mine. It was written in this year, 1923, by Ray Henderson, Billy Rose and Mort Dixon. Quite a few performers recorded it at the time, but the one I have is by BENNY KRUEGER AND HIS ORCHESTRA.

Bennie Krueger

There is a “vocal refrain” on the record, as was the thing back then. As far as I can tell it’s by Billy Jones and Ernest Hare, but I could be wrong.

♫ Bennie Krueger's Orch. - That Old Gang Of Mine


Any year that has a BESSIE SMITH hit is worth a listen, and so it is for this year.

Bessie Smith

Bessie was the most popular blues performer of her time, and she’s been a major influence on blues, jazz and rock singers ever since. Her music is still being recorded today. So, back to 1923 and Gulf Coast Blues, her very first record.

♫ Bessie Smith - Gulf Coast Blues


Unlike Jelly-Roll up at the top, KID ORY, or Edward to his mum and dad, may have been the most important person in the early development of jazz.

Kid Ory

That’s because he hired King Oliver, Louis Armstrong and Johnny Dodds amongst others for his band. Unlike many musicians from that era, he lived a long time, retiring to Hawaii in 1966 and dying in 1973 (he was born in 1886).

This is Ory's Creole Trombone with those musicians mentioned playing along with him.

♫ Kid Ory Louis Armstrong - Ory's Creole Trombone


ETHEL WATERS had a dreadful childhood and early life. I won’t go into it but it’s worth finding out about it, just to see what she had to overcome.

Ethel Waters

Quite early on she was performing in the same club as Bessie Smith who was the headliner. Bessie refused to allow Ethel to sing blues or jazz, so she (Bessie) wouldn’t be upstaged. So Ethel performed pop songs from the day.

Maybe that set her up to be the versatile performer she became. Here, and ignoring Bessie, Ethel performs Georgia Blues. This has Fletcher Henderson and cornet player Joe Smith accompanying her.

♫ Ethel Waters and Her Jazz Masters - Georgia Blues


BEN BERNIE AND HIS ORCHESTRA were the first to record the song Swinging Down the Lane.

Ben Bernie

Isham Jones wrote the song and he recorded it as well, but not until a few months later. Ben had quite a good singing voice but this track is an instrumental.

♫ Ben Bernie - Swinging Down The Lane (1923)


I remember Connie Francis singing Who's Sorry Now? That wasn’t in 1923, of course. The song was written in that year and several people recorded it at the time, including MARION HARRIS.

Marion Harris

She was one of the first white performers to sing jazz and blues. I have to admit that I can’t hear it in this song. There is a talkie bit in the song which Norma, the Assistant Musicologist, always contends that means it’s a country song. I bow to her insight, but I notice that later recordings eschew this bit.

♫ Marion Harris - Who's Sorry Now


BLOSSOM SEELEY was a vaudeville performer who helped to bring blues and jazz to a wider audience.

Blossom Seeley

For a white performer of the time she’s not bad. She’s no Bessie Smith, but nor is anyone else. She was one of the first to sing many of the songs we think of as classics today, including Way Down Yonder in New Orleans.

♫ Blossom Seeley - Way Down Yonder In New Orleans




ELDER MUSIC: The Queenston Trio

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

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Queenston

This was the joke name for a trio consisting of EMMYLOU HARRIS, DOLLY PARTON and LINDA RONSTADT. They recorded some albums together and occasionally performed in various combinations over the years. This column is merely an excuse to hear three of the finest singers of the last 50 years.

EMMY leads off with Do I Ever Cross Your Mind? Of course, as with all the songs today, the others are there in the background (or foreground).

Emmylou

The song was actually written by Dolly, and she has performed it both on one of her albums and another as a duet with Chet Atkins. However, it’s Emmy’s turn today.

♫ Do I Ever Cross Your Mind


Everyone together with Mr. Sandman, a cover of The Chordettes’ hit from the mid-fifties.

Queenston13

The song was written by Pat Ballard and was first recorded by Vaughn Monroe, of all people, before The Chordettes took it to the top of the charts.

♫ Mr. Sandman


LINDA is to the forefront of Lover's Return, an old Carter Family song, written by A. P. Carter.

Linda

♫ Lover's Return


LINDA sings a splendid lead on one of Jackson Browne’s finest songs, For a Dancer.

Linda

This first came to our notice on Jackson’s fine album “Late for the Sky”, maybe his best. Jackson’s version is hard to beat, but Linda just about equals it.

♫ For a Dancer


The song, I've Had Enough is mostly the trio, with EMMY out front now and then.

Emmylou

It was written by Kate McGarrigle, who was a writer of fabulous songs.

♫ I've Had Enough


Are You Tired Of Me was written by G.P. Cook and Ralph Roland, and first recorded by L.K. Reeder in 1925. Since then it’s been performed by many people including our trio. It’s mostly the three of them, but EMMY is slightly to the fore.

Emmylou

♫ Are You Tired Of Me


I’ve always been ambivalent about Neil Young. I don’t particularly like his singing. When I’m in the mood (not very often) I like his roaring lead guitar. However, he sure can write great songs. This is one of those, After the Gold Rush. DOLLY performs this with some help from the others in the background.

Dolly

♫ After The Gold Rush


DOLLY again, with the song, He Rode All the Way to Texas.

Dolly

The song was written by John Starling, and performed by him in his band, The Seldom Scene, a fine, progressive, bluegrass group. Others have recorded it as well, and it’s the trio’s turn today.

♫ He Rode All The Way To Texas


My Dear Companion goes a long way back but is attributed to Jean Ritchie. However, Jean’s sister Edna recorded a version before Jean tackled it. Jean massaged the song, scrubbed it a bit, made the language more poetic and recorded it herself. That’s the version we have today. EMMY sings lead on this one.

Emmylou

♫ My Dear Companion


To Know Him is to Love Him is a song written by Phil Spector, inspired by words on his father's tombstone. It was a huge hit for The Teddy Bears (which included Spector, the only group he was ever in). This is essentially a trio song, with EMMY occasionally singing lead.

Queenston

There’s some nice guitar work by Albert Lee.

♫ To Know Him Is To Love Him


LINDA takes the lead on this beautiful version of Across the Border, a song written by Bruce Springsteen. This is a superb song, and this is a wonderful version of it.

Linda

If you’d like to hear Bruce’s version, it’s on his album “The Ghost of Tom Joad”.

♫ Across the Border


Queenston

I’ll end with a religious song and that’s rather unusual for me as I’m not religious; indeed, if pushed I would say I was anti-religion, but we won’t go there.

The first three verses have EMMY and DOLLY trading lead vocals and that alone would make it a great song. Then LINDA comes in on the fourth verse and takes the song into the sublime realm, making it one of the finest songs ever recorded.

Surprising, Softly and Tenderly didn’t appear on their official trio albums; it was only when the complete sessions were released that we discovered it. See if you can remain unmoved by this one.

♫ Softly And Tenderly




ELDER MUSIC: These Arms of Mine

Tibbles1SM100x130This Sunday Elder Music column was launched in December of 2008. By May of the following year, one commenter, Peter Tibbles, had added so much knowledge and value to my poor attempts at musical presentations that I asked him to take over the column. He's been here each week ever since delighting us with his astonishing grasp of just about everything musical, his humor and sense of fun. You can read Peter's bio here and find links to all his columns here.

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A column about arms – the things attached to our bodies, not the things that armies use.

OTIS REDDING started as a driver for the blues performer Johnny Jenkins.

Otis Redding

One day, after Johnny had recorded a couple of songs backed by Booker T and the MGs, there was some time left over. Otis asked if he could try one of his songs.

They let him do that and backed by Booker and crew, he recorded These Arms of Mine. It became a smash hit, the first of many for Otis (but alas, not nearly enough).

♫ Otis Redding - These Arms Of Mine


Like Ray Charles, SOLOMON BURKE liked to mix his musical genres.

Solomon Burke

Also like Ray, he delved into the country repertoire for songs that he could give a soul treatment to. One of those, and one his most successful songs, is Just out of Reach (Of My Two Open Arms).

♫ Solomon Burke - Just out of Reach (Of My Two Open Arms)


MARK SEYMOUR was the singer, songwriter, guitarist and general chief of the Australian rock group Hunters & Collectors.

Mark Seymour

One of the songs the group performed back in the eighties was Throw Your Arms Around Me. It wasn’t very successful at the time but since then the song has gained enormous stature, such that’s it’s now considered a classic song.

Quite a few performers have covered it over the years, most notably Paul McDermott from The Doug Anthony Allstars. However, here is Mark with a more recent group of his, The Undertow, with his song.

♫ Mark Seymour - Throw Your Arms Around Me


NICK CAVE recorded Into My Arms during his brief relationship with P.J. Harvey.

Nick Cave

It’s one of his rare romantic songs - he’s not noted as a performer of such material - but when he sets his mind to it, as he does here, the results are terrific.

♫ Nick Cave - Into My Arms


Everyone from Elvis to Dobie Gray to Kris Kristofferson and Rita Coolidge has had a hit with the song Loving Arms. The man who wrote it is often forgotten, but not by me. That man is TOM JANS.

Tom Jans

Tom made a bit of a name for himself in the seventies as a songwriter of note, and also a performer, both as a solo artist and as a duo with Mimi Fariña, Joan Baez's sister. Unfortunately, he died due to complications after a motor cycle accident. Here’s his version of the song.

♫ Tom Jans - Loving Arms


Iain Sutherland wrote the song Arms of Mary in the Sutherland family farmhouse in England. Iain performed with his brother Gavin as The Sutherland Brothers. The pair got together with the rock group Quiver and they all became known as THE SUTHERLAND BROTHERS & QUIVER.

Sutherland Brothers & Quiver

It was this combination that recorded the song which was a worldwide hit, except in America. Later the Everly Brothers recorded the song and their version is even better, but today we have the original.

♫ Sutherland Brothers & Quiver - Arms Of Mary


I’ve used this song by WILLIE NELSON somewhat recently in a column on Sleep.

Willie Nelson

However, it’s such a good song, and it fits well here as well, that I’m going to use it again. After all, too much Willie is barely enough. Can I Sleep in Your Arms?

♫ Willie Nelson - Can I Sleep in Your Arms


Music of the last sixties years would be quite different if it weren’t for LES PAUL & MARY FORD.

Les Paul Mary Ford

For a start, Les was the person who developed the Gibson Les Paul guitar, probably the finest electric guitar in the world. He also invented double (and triple and whatever) tracking on recordings. Les was also one of the finest guitarists around and Mary was a fantastic singer. They were decades ahead of their time.

Their song today is Take Me In Your Arms And Hold Me.

♫ Les Paul & Mary Ford - Take Me In Your Arms And Hold Me


Crazy Arms was written by Ralph Mooney and Charles Seals (and maybe Paul Gilley). Ray Price was the first to have a hit with the song. Many others have also recorded it with some success. One version that didn’t make the charts, but I quite like, is by LEON REDBONE.

Leon Redbone

Of course, very little, if anything, that Leon records makes the charts, but what a terrific performer he is. See what you think of his interpretation. Leon died last week on 30 May - no one reporting it in the press seemed to know his real age for certain.

♫ Leon Redbone - Crazy Arms


You may not be very familiar with the duo DILLARD & CLARK.

Dillard & Clark

They might become a little more familiar to you when I say that they are Doug Dillard, from The Dillards – probably the first country rock group, who were also featured often on The Andy Griffith Show – and Gene Clark, a founder member of The Byrds.

The pair made one great record and a second pretty good one, and that’s all she wrote. From the second we have Roll in My Sweet Baby's Arms.

♫ Dillard & Clark - Roll In My Sweet Baby's Arms


O.V. WRIGHT is one of the best unsung soul singers, so I’m going to sing him today (as it were).

OV Wright

He’s best known for his song That’s How Strong My Love Is, covered by both Otis Redding and the Rolling Stones. Today, however, his song is Since You Left (These Arms of Mine).

♫ O.V. Wright - Since You Left (These Arms Of Mine)